By the light of the moon…I’m comin’ home.
Howlin’ all the way…I’m comin’ home. - So begins Red of Tooth and Claw, the latest neo-noir/Peckinpah-soaked/ baroque spaghetti western mini-epic from Indiana’s Murder by Death. Though I feel compelled to admit that I swiped this thing from my editor’s desk primarily due to my all-too-obvious affection for the 1976 murder mystery farce (starring Peter Sellers and Maggie Smith, among others) of the same name, I was nearly as enthused regarding the subtle buzz that the group has been generating since early in the decade as a surprisingly literary alt-country goth outfit. Seriously… think REALLY-early-Bad Seeds Nick Cave in a head-hanging contest with the entirety of the Cure in a frontier-boom saloon. And Tom Waits slumps in the corner, drunkenly lighting a cigar with his own kerosene-soaked pinkie.
With almost three decades of experience producing the annual spectacle, Ken Ehrlich provides a collection of stories sure to please any avid viewer of award shows in his book “At the Grammys: Behind the Scenes at Music’s Biggest Night.”
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music,
R&B,
pop,
rock,
rap,
musician,
Grammys,
Grammy,
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At the Grammys: Behind the Scenes at Music’s Biggest Night,
backstage,
behind the scenes,
Ken Ehrlich,
Nonfiction Reviews
It’s a terrible struggle, becoming human, but this is exactly what Actors Scene Unseen attempts in a rejuvenation of one of the world’s oldest stories in “Gilgamesh: A Verse Play.”
Pulitzer Prize winning poet Yusef Komunyakaa and former Executive Director of Inverse Theater Chad Garcia reinvent the ageless epic in an audio experience. The work of the two reminds contemporary listeners of the pains necessary in the search for meaning between man and the supernatural.
Tags:
fiction,
Poetry,
Drama,
Pulitzer Prize,
theater,
book,
epic,
stage,
Gilgamesh,
Gilgamesh: A Verse Play,
meter,
play,
rhyme,
Theatre,
Yusef Komunyakaa,
Fiction Reviews