By the light of the moon…I’m comin’ home.
Howlin’ all the way…I’m comin’ home. - So begins Red of Tooth and Claw, the latest neo-noir/Peckinpah-soaked/ baroque spaghetti western mini-epic from Indiana’s Murder by Death. Though I feel compelled to admit that I swiped this thing from my editor’s desk primarily due to my all-too-obvious affection for the 1976 murder mystery farce (starring Peter Sellers and Maggie Smith, among others) of the same name, I was nearly as enthused regarding the subtle buzz that the group has been generating since early in the decade as a surprisingly literary alt-country goth outfit. Seriously… think REALLY-early-Bad Seeds Nick Cave in a head-hanging contest with the entirety of the Cure in a frontier-boom saloon. And Tom Waits slumps in the corner, drunkenly lighting a cigar with his own kerosene-soaked pinkie.
From the first page of “Earthly Pleasures,” the new novel from Karen Neches, readers will find the opportunity to laugh, cry, and go on an all out ride through a wonderful narrative.
A former columnist for the Augusta Chronicle, a co-author of one novel, and the sole voice of the Bottom Dollar Girl series, Karen Neches is a voice readers with an ear for intricate plots have to hear. Otherwise known as Karin Gillespie, this founder of the virtual tour The Girlfriend Circuit who travels the Southeast with the Dixie Divas provides an animated unconventional love story in her latest composition.
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fiction,
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Life,
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God,
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Karen Neches,
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Fiction Reviews
It’s a terrible struggle, becoming human, but this is exactly what Actors Scene Unseen attempts in a rejuvenation of one of the world’s oldest stories in “Gilgamesh: A Verse Play.”
Pulitzer Prize winning poet Yusef Komunyakaa and former Executive Director of Inverse Theater Chad Garcia reinvent the ageless epic in an audio experience. The work of the two reminds contemporary listeners of the pains necessary in the search for meaning between man and the supernatural.
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Poetry,
Drama,
Pulitzer Prize,
theater,
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Gilgamesh,
Gilgamesh: A Verse Play,
meter,
play,
rhyme,
Theatre,
Yusef Komunyakaa,
Fiction Reviews