AltWeeklies Wire
Eddie Murphy's Skin Color -- Not His Movies -- Makes the Media Hate Himnew
By beautiful coincidence, the critical drubbing of Murphy's Meet Dave preceded controversy over the New Yorker magazines cover cartoon of Barack Obama as a terrorist-agent.
New York Press |
Armond White |
07-24-2008 |
Movies
'Step Brothers' Will Ferrell and John C. Reilly Perfect the Comedy of Retardationnew
The touched man-child is a comedy staple. Step Brothers marks the apotheosis of exploiting a repressed urge to laugh at brain-damaged antics. It is also the best film Ferrell and company have made since Anchorman.
Willamette Week |
Chris Stamm |
07-23-2008 |
Reviews
J. Gary Mitchell's Puppets Fight Pedophilianew
Mitchell, a soft-spoken 70-year-old with a dapper white mustache, has been directing and producing short educational movies for three decades, creating characters who warn against smoking and drinking. But his specialty since 1985's What Tadoo is gently informing children about sexual abuse.
Willamette Week |
Aaron Mesh |
07-23-2008 |
Profiles & Interviews
Constructing 'American Teen' with Nanette Bursteinnew
American Teen debuted at Sundance 2008, and some viewers begrudged the sale of Nanette Burstein's eminently entertaining, beautifully constructed snapshot of the lives of several teenagers across a senior year at a Warsaw, Indiana high school.
Chicago Newcity |
Ray Pride |
07-23-2008 |
Profiles & Interviews
Tags: American Teen, Nanette Burstein
Religion and Power Collide in 'Constantine's Sword'new
The film looks at several historical examples of a fused church and state and documents the marginalization, oppression and death such a merging produces--often in Christianity’s name.
Weekly Alibi |
Simon McCormack |
07-22-2008 |
Reviews
How a Porn Star-Turned-Producer Presses Flesh for Cashnew
Dave Pounder is many things: a local boy who made a name for himself nationally; an entrepreneur who left the corporate world to follow his passion; a guy smart enough to stay one step ahead in arguably the dirtiest, riskiest end of the entertainment business. Dave Pounder, see, is a pornographer.
Metro Times |
Hobey Echlin |
07-22-2008 |
Movies
Tags: pornography, Dave Pounder
'A Jihad For Love' Director Parvez Sharma Speaks His Mindnew
In his impressive documentary, queers from many different countries embrace both Islam and their sexuality, and that creates a fascinating tension.
NOW Magazine |
Susan G. Cole |
07-21-2008 |
Profiles & Interviews
'Indestructible': Living with ALS for the World to Seenew
Ben Byer died just weeks before the theatrical premiere of his documentary about fighting the disease.
Chicago Reader |
Ed M. Koziarski |
07-21-2008 |
Movies
Was Roman Polanski a Pedophile?new
Along its winding road to crucifying the American judiciary, Roman Polanski: Wanted and Desired grinds some very blunt axes, makes some dizzying leaps to judgment and does a lot of silly editing with movie clips.
L.A. Weekly |
Ella Taylor |
07-18-2008 |
Reviews
Heath Ledger Cements His Legend Playing Nemesis to Christian Bale's Gotham City Heronew
What a brooding pleasure it is to return to Nolan's Gotham City -- if pleasure is the right word for a movie that gazes so deeply and sometimes despairingly into the souls of restless men.
L.A. Weekly |
Scott Foundas |
07-18-2008 |
Reviews
Leanimal Debuts on Project Runway!new
Great news for Portland fashion: Leanne Marshall, designer of the Leanimal label (leanimal.com) has just returned from New York, where she has secretly been for the past month or so ... filming the fifth season of Project Runway!
The Portland Mercury |
Marjorie Skinner |
07-17-2008 |
TV
ABBA's Pop Goes Head-to-head with the Darker Rock of 'Lou Reed's Berlin'new
Both Mamma Mia! and Lou Reed's Berlin reveal what impact pop music has on the aesthetics and sensibilities of filmmakers, pointing to a bigger issue: What meanings do people take from pop music?
New York Press |
Armond White |
07-17-2008 |
Reviews
The Batman Legacy Shines in Its Latest Installmentnew
Nolan's second installment, the thrilling morality tale The Dark Knight, puts its priorities completely in order.
Creative Loafing (Atlanta) |
Curt Holman |
07-16-2008 |
Reviews
'Generation Kill' Author Evan Wright Talks Ass Time, Crack Highs and Why Roadblocks Killnew
Wright, who wrote parts of the script and was involved in other aspects of the production, has invited me over before the series debut for a private screening. But though we started the show more than a half-hour ago, we haven't gotten very far -- five minutes in at best. Despite apologetically promising to let me watch, Wright keeps pausing the DVD to offer behind-the-scenes tidbits that suddenly evolve into fascinating non sequiturs and counterintuitive spiels about the war. I'm not complaining.
L.A. Weekly |
Matthew Fleischer |
07-11-2008 |
TV
Heath Ledger's Final Days Among the Massesnew
Birthed in a big loft in midtown Manhattan by one Los Angeleno, Amato, and one New Yorker, Jon Ramos, in 2002, the collective was transformed in the fall of 2006, when the members set up shop in Hollywood, and Amato's longtime friend, Heath Ledger, started channeling some of his creative energy, and eventually, money, into the company. It was at the Masses that Ledger and his peers converged around a notion; taught each other how to shoot, light and edit; plotted out music and record labels; and sought to develop a little engine of creativity.
L.A. Weekly |
Randall Roberts |
07-11-2008 |
Movies
