AltWeeklies Wire

The Timeless Showbiz of 'Frost/Nixon'new

Frost/Nixon displays bursts of some of Ron Howard's sharpest work in his fifty years in show business, but it functions best as a cartoon that chooses to think of itself as burnished bravura.
Chicago Newcity  |  Ray Pride  |  12-10-2008  |  Reviews

'Milk' Breathes Life into Counterculture Crusadernew

There is an inevitability to the tragedy of Milk, but the film never wallows in the downbeat. Instead, it gently celebrates the spirit of its indefatigable hero. More than just a martyr to the cause of gay rights, Milk was a leader who stepped up when troubled times demanded.
Weekly Alibi  |  Devin D. O'Leary  |  12-09-2008  |  Reviews

A Thankful List of Troubled TV in Troubled Timesnew

Allow me to regain my perspective for a minute and share with you a partial list of people and programs that made me thankful ... either to have witnessed them or to be able to ridicule them.
Metro Times  |  Jim McFarlin  |  12-09-2008  |  TV

'Cadillac Records' Gets Nothing Rightnew

Beyonce Knowles sounds nothing like Etta James, and Cadillac Records is nothing like factual.
Dallas Observer  |  Robert Wilonsky  |  12-08-2008  |  Reviews

'Slumdog Millionaire' Director Talks About Mumbai Before the Terrornew

English director Danny Boyle was visiting Seattle a while back, raving about the inspiration Mumbai provided during the filming of his acclaimed new Slumdog Millionaire. Then we all know what happened in that city.
Seattle Weekly  |  Brian Miller  |  12-08-2008  |  Profiles & Interviews

'Frost/Nixon': Frosted Dicknew

Like Oliver Stone, Ron Howard paints Nixon a little more sympathetically than many of us who remember the era are likely to warm to. Nixon was an unlovable scoundrel, a villain who would have dismantled the Constitution, had he been able to.
Los Angeles CityBeat  |  Andy Klein  |  12-05-2008  |  Reviews

'Nobel Son' is Well Cast but Too Fastnew

It's the kind of film that you could praise for being a cut above the usual crap, but it ends up disappointing because it could have been so much better.
Montreal Mirror  |  Malcolm Fraser  |  12-05-2008  |  Reviews

Why Do We Like Cinematic Christmas Criminals?new

A therapist and a movie critic wonder what makes bad guys so appealing at good times in this round-up of strange Xmas films.
North Bay Bohemian  |  David Templeton  |  12-04-2008  |  Movies

Hugh Jackman and Nicole Kidman Can't Save 'Australia'new

We're watching a great director working outside of his normal area of expertise, and while the results are not disastrous, they're uncomfortable.
Tucson Weekly  |  Bob Grimm  |  12-04-2008  |  Reviews

'Let the Right One In': Blood in the Snownew

This Swedish vampire movie has a slow pace, but it amply rewards patient viewers.
Tucson Weekly  |  James DiGiovanna  |  12-04-2008  |  Reviews

Jon Wilkman Talks About His PBS Doc 'Chicano Rock'

PBS documentary traces the music of the Mexican-Americans who ride up and down Whittier Blvd.
NUVO  |  Marc D. Allan  |  12-04-2008  |  TV

'Australia' is Worse Than You Thinknew

They don't make 'em like this anymore. Thank God.
Santa Fe Reporter  |  Emiliano Garcia-Sarnoff  |  12-04-2008  |  Reviews

'Cadillac Records' is 'Dreamgirls' Litenew

Biopics are by nature formulaic, and music biopics even more so, so it should probably come as no surprise that Cadillac Records, which is essentially several music biopics in one, is all formula, all the time.
Las Vegas Weekly  |  Josh Bell  |  12-04-2008  |  Reviews

'Let the Right One In' is Too Coldnew

Bookended by shots of falling snow, Right One seems to take place in a snow globe, just as still, just as quiet, its compositions just as stiff, with plastic figures arranged in stock situations.
INDY Week  |  Nathan Gelgud  |  12-04-2008  |  Reviews

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