AltWeeklies Wire

Legally Bannednew

The secret complaints and controversial characters behind the firing of Loveland High School's drama instructor.
Cincinnati CityBeat  |  Danny Cross  |  03-06-2013  |  Theater

Staged readings of 8 humanize marriage debatenew

"We're not producing this reading to advocate for a specific viewpoint, but to contribute to the current statewide conversation about marriage." — producer Tim Scales
INDY Week  |  Byron Woods  |  04-05-2012  |  Theater

Agonizing Over Apple: Interview with Mike Daiseynew

Mike Daisey on truth, theater and the scandal surrounding his show.
Seven Days  |  Tyler Machado  |  03-28-2012  |  Theater

IndyFringe a "Resounding Success"new

The independent theater festival saw a 9 percent rise in attendance, and performers earned $94,400 directly from box office sales.
NUVO  |  Matthew McClure  |  08-30-2011  |  Theater

Flood Damage: You Need a Good Reason to Rewrite Historynew

Rebecca Gilman's A True History of the Johnstown Flood is shot through with fictions and omissions. Gilman owns up to taking one such liberty in her program note, acknowledging that she invented almost all her characters.
Chicago Reader  |  Justin Hayford  |  03-29-2010  |  Theater

New Plays in Memphis Owe Gratitude to Artist/Educator Gloria Baxternew

Tennessee Williams may have found his calling after poring over the works of Anton Chekhov at the Rhodes College library, but Memphis, Tennessee, the home of the blues and birthplace of rock-and-roll, has never been known as a breeding ground for interesting new playwrights.
The Memphis Flyer  |  Chris Davis  |  03-27-2010  |  Theater

KenCen’s Golden Age Offers an Overdose of Rococonew

Jeffrey Carlson’s Vincenzo Bellini isn't the only thing that's a mess in this play: Like too much of the art form it celebrates, Terrence McNally’s new comic drama Golden Age, about the heyday of bel canto opera, is overwritten and wildly overheated.
Washington City Paper  |  Trey Graham  |  03-26-2010  |  Theater

Vancouver Opera's 'Nixon in China' an Artful Triumphnew

The Vancouver Opera’s ambitious Canadian premiere of Nixon in China is a surprisingly artful, nothing-less-than-stunning reimagination of an event that, on paper, sounds like something you’d see on PBS’s American Experience.
The Georgia Straight  |  Janet Smith  |  03-15-2010  |  Theater

Sasha Van Bon Bon Recalls Her Striptease Days in Her Stage Memoir 'Neon Nightz'new

For Sasha Van Bon Bon, there is an odd sense of nostalgia about the ’90s. The Mirror’s veteran sex columnist, who’s been doling out sage advice on all things carnal to readers for over 15 years, worked as a stripper for much of that decade.
Montreal Mirror  |  Matthew Hays  |  03-12-2010  |  Theater

Reflections from the Founder of an African-American Community Theaternew

Anthony Bean has heard enough. With his arms folded across his chest, the founder of the Anthony Bean Community Theater in New Orleans sits alone in the empty auditorium, staring long and hard at the two teenage actresses onstage.
Gambit  |  David Winkler-Schmit  |  03-10-2010  |  Theater

Lisa Loomer's 'Distracted' Tries a Twist on the Old Theme of Addictionnew

Over the last half century or so, the family that self-medicates has become a trope of American literature. Hell — it's become a trope of America, and our theater's been the source of some of its most potent expressions.
Chicago Reader  |  Tony Adler  |  02-16-2010  |  Theater

'American Squatter' Barry Smith Returns With a Love Storynew

Hard as it may be to imagine a light-hearted look at life in a doomsday cult, the untrained actor's earned awards including 2005's New York International Fringe Festival Outstanding Solo Show Award with an intimate and friendly approach.
Colorado Springs Independent  |  Edie Adelstein  |  01-14-2010  |  Theater

A Chinese Oregonian Takes Back the Armorynew

Bruce Locke starred in such films as Black Rain, The Shadow, and especially Robocop 3, in which he played a trio of robot ninja assassins. Now Locke is starring in a production of Snow Falling on Cedars in a building that building was built in case of a Chinese immigrant uprising.
Willamette Week  |  Ben Waterhouse  |  01-13-2010  |  Theater

‘The Emperor Jones’ Proves That Imaginative Direction Has Fled Broadway For Offnew

Rarely do plays that utilize puppets and masks succeed as admirably as does The Emperor Jones. Director Ciarán O’Reilly deserves all the critical accolades coming to him for resurrecting Eugene O’Neill’s play about despots in power, bringing it to crackling life once again.
New York Press  |  Mark Peikert  |  01-07-2010  |  Theater

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