New York Press
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More by Linnea Covington
Flesh Mob: New York’s Vegetarians Have Come Down With Some Serious Bloodlustnew
These days, as high-profile chefs like David Chang resolutely refuse to cater to an animal product-free world, many New York vegetarians are giving up the greens and developing a taste for flesh.
New York Press |
Linnea Covington |
01-14-2010 |
Food+Drink
My Brightest Diamond's Album Brings Instrumentals to Foregroundnew
A Thousand Shark’s Teeth is like a Jeunet film: dark and beautiful and then strange and mysterious. Each song is a gem of it’s own.
New York Press |
Linnea Covington |
06-05-2008 |
Profiles & Interviews
More by New York Press
Shoegaze Meets Hip-Hop, Againnew
Apollo Heights' decades-long mission to combine seemingly disparate genres.
New York Press |
Saby Reyes-Kulkarni |
02-16-2011 |
Profiles & Interviews
Tags: Hip-Hop, Apollo Heights
The Runaways’ Cherie Currie Gave Up Rock ‘n’ Roll to Swing Around a Chainsawnew
Cherie Currie was just a Bowie-obsessed 15-year-old smoking a cigarette at the Sugar Shack, an under-21 club in North Hollywood, when she was spotted by producer Kim Fowley. A Svengali, visionary and predator, he was cruising the underage clubs.
New York Press |
Sheila McClear |
03-18-2010 |
Music
Shellshag, the Duo You Just Can’t Knock Downnew
Shellshag is Johnny Shell and Jen Shag. He sings and plays guitar and she sings and plays drums. For years they lived in San Francisco and ran Starcleaners, a record label and public arts space. They were in bands together and apart, but all that matters now is that they are Shellshag.
New York Press |
Adam Wisnieski |
02-04-2010 |
Profiles & Interviews
Kim Deal Talks About the Pixies' 'Doolittle' Anniversary Tournew
"I like albums and I’m kind of a geek anyway, so starting something from the beginning and then doing every song in order is appealing to me."
New York Press |
Adam Rathe |
11-19-2009 |
Profiles & Interviews
Brooklyn's Grooms Have a New Album and a Distinctive Take on Today's Soundnew
The band doesn't quite fit in with the current, decidedly '60s and '70s signifiers of indie rock cool. "Sometimes people will listen to our music and say, 'It’s kind of '90s, and it reminds me of Pavement,' and I really don't think it does. We sometimes worry that we're out of step with the trend."
New York Press |
Adam Rathe |
10-15-2009 |
Profiles & Interviews
