AltWeeklies Wire
Kelly Reichardt on Working with Michelle Williams and the Realities of Being Poornew
A relentlessly independent director working far outside the confines of the studio system, Reichardt has fashioned a film that illuminates the ways in which people treat one another, from compassion to indifference, during tough times. She spoke us about her new film.
New York Press |
Christopher Wallenberg |
12-11-2008 |
Profiles & Interviews
Steven Soderbergh's Che Opus is Indulgentnew
Out-perversing Gus Van Sant's Milk, Soderbergh makes a four-hour-plus biopic about a historical figure without providing a glimmer of charm or narrative coherence.
New York Press |
Armond White |
12-11-2008 |
Reviews
The Timeless Showbiz of 'Frost/Nixon'new
Frost/Nixon displays bursts of some of Ron Howard's sharpest work in his fifty years in show business, but it functions best as a cartoon that chooses to think of itself as burnished bravura.
Chicago Newcity |
Ray Pride |
12-10-2008 |
Reviews
'Slumdog Millionaire' Director Talks About Mumbai Before the Terrornew
English director Danny Boyle was visiting Seattle a while back, raving about the inspiration Mumbai provided during the filming of his acclaimed new Slumdog Millionaire. Then we all know what happened in that city.
Seattle Weekly |
Brian Miller |
12-08-2008 |
Profiles & Interviews
Why Do We Like Cinematic Christmas Criminals?new
A therapist and a movie critic wonder what makes bad guys so appealing at good times in this round-up of strange Xmas films.
North Bay Bohemian |
David Templeton |
12-04-2008 |
Movies
Jon Wilkman Talks About His PBS Doc 'Chicano Rock'
PBS documentary traces the music of the Mexican-Americans who ride up and down Whittier Blvd.
'Cadillac Records' is a Quick-Sketch B-Movie Biopic That Looms Largenew
Darnell Martin's film tells a story of black popular music -- its rapidly changing phases during the 1950s from the blues to race records, from rock 'n' roll to R&B -- with richly exciting characters but not one hint of exoticism.
New York Press |
Armond White |
12-04-2008 |
Reviews
'Frost/Nixon' Prioritizes Media Over Politicsnew
Frost/Nixon dramatizes the series of 1977 TV interviews that British chat host David Frost did with President Richard Nixon following his resignation after the Watergate scandal. A minor TV event -- on the level of Billie Jean King beating Bobby Riggs at tennis -- Howard confers it lunatic importance.
New York Press |
Armond White |
12-04-2008 |
Reviews
What Is Our Fascination with Vampire Love?new
Why, at this particular point in human history, do we require two different movies and a television show (all based on books) about humans who fall in love with vampires. What is it that makes drinking blood (and/or abstaining from garlic) so damn sexy right now?
San Antonio Current |
Jeremy Martin |
12-03-2008 |
Movies
Gus Van Sant's 'Milk' is Itself a Political Actnew
Milk hits theaters amid a renewed debate over the place of homosexuals in American life. Whether the cause will help the film is anyone's guess, but there seems little doubt that the film will help the cause.
Chicago Reader |
J.R. Jones |
12-02-2008 |
Reviews
'Doubt' Stumbles In Transition to Film
Playwright John Patrick Shanley adapts his award-winning '60s era drama for the silver screen with mixed success.
City Pulse |
Cole Smithey |
12-01-2008 |
Reviews
Is Hollywood Recession-Proof?new
While there are many more pressing national issues about the economic crisis than How It Will Affect the Film Industry, our local economy is bound up with Hollywood tightly enough that it's a legitimate subject for concern.
Los Angeles CityBeat |
Andy Klein |
12-01-2008 |
Movies
Bollywood's Terrorism Masalanew
Bollywood's colorful, multi-genre musicals serve up their most interesting protagonist yet, the singing, dancing terrorist.
Boston Phoenix |
Seetha Narayan |
11-26-2008 |
Movies
'Dallas' Cast Reunion Leaves Fans Southforkednew
Thirty years after Dallas, fans worldwide came, saw and were conquered.
Dallas Observer |
Robert Wilonsky |
11-25-2008 |
Movies
Baz Luhrmann's 'Australia' Disappoints
Its grandiose title might encourage visions of a sweeping epic romance but Baz Luhrmann's bloated and boisterous movie is little more than a computer-graphic assisted western that takes place over the period of a few months.
City Pulse |
Cole Smithey |
11-24-2008 |
Reviews
