AltWeeklies Wire

Family Outing

Dorian Blues is a witty if familiar look at a young man's struggle with sexual identity.
Washington City Paper  |  Tricia Olszewski  |  01-13-2006  |  Reviews

Hittin' the Entrails

Though the most dogged of gorehounds may find the film's uncynical conclusion hard to stomach, it suggests the film has some purpose besides being the most sickening morning-after movie ever -- perhaps even a timely one.
Washington City Paper  |  Brent Burton  |  01-06-2006  |  Reviews

Solid Wood

This is the first good Woody Allen movie since the neurotic New Yorker realized that a significant shake-up was in order if he were to once again be regarded as, well, significant.
Washington City Paper  |  Tricia Olszewski  |  01-06-2006  |  Reviews

Yogi Unbearable

Viewers who know something about India or religion will be able to salvage a few moments from Naked in Ashes, despite the filmmakers' failure to provide anything more than the flimsiest of contexts.
Washington City Paper  |  Mark Jenkins  |  01-06-2006  |  Reviews

'Burb Your Enthusiasm

This is the second movie in two months from the Weinstein Company to pack the same essential message: There comes a time when the innocent suburbanite must learn how to kill.
Washington City Paper  |  Mark Jenkins  |  01-06-2006  |  Reviews

Non-Special K

Johnny Knoxville made a name for himself by acting like a retard on Jackass, so consider The Ringer his comeuppance.
Washington City Paper  |  Jason Powell  |  12-23-2005  |  Reviews

Undercover Dick

Nobody should be surprised to see Jim Carrey and Tea Leoni get all manic on the big screen. So why doesn't Dean Parisot let his two leads have more fun with Fun With Dick & Jane?
Washington City Paper  |  Josh Levin  |  12-23-2005  |  Reviews

The Schlong Goodbye

Easy to like, especially for its non-fairy-tale-ish take on achieving contentment.
Washington City Paper  |  Tricia Olszewski  |  12-23-2005  |  Reviews

Sparkling Twit

Relentlessly loopy, the film aims to prove that, aside from the love of a wee lost boy for his mam, sass and sparkle conquer all.
Washington City Paper  |  Tricia Olszewski  |  12-23-2005  |  Reviews

Mission Unconscionable

Of the directors who transformed Hollywood in the '70s, Steven Spielberg has made both the most successful and the most simplistic movies. At this point, the last thing anyone could have reasonably expected from him is a film that's not only serious but also complex.
Washington City Paper  |  Mark Jenkins  |  12-23-2005  |  Reviews

The Plot Thickens

It's a shame the film's postreunification milieu is unlikely to resonate as much with Americans. Zucker never gets too zany or too maudlin, and its petty characters could serve as stand-ins for just about anyone.
Washington City Paper  |  Jason Powell  |  12-19-2005  |  Reviews

Stalin the Family

A Meet the Parents retread with the kind of giant, kooky-but-loving brood without which holiday comedies wouldn't exist, The Family Stone will have you slapping your forehead, not your knee.
Washington City Paper  |  Tricia Olszewski  |  12-19-2005  |  Reviews

Beyond Xanadu

The Keeper is earnest and likable, if a bit too stolid for anyone without a pre-existing interest in the subject.
Washington City Paper  |  Mark Jenkins  |  12-19-2005  |  Reviews

Pronounced Dead

Like The Last Samurai, Memoirs of a Geisha is a well-researched, if misguided, tribute to Japan's bad old days of patriarchy and strict social hierarchy.
Washington City Paper  |  Mark Jenkins  |  12-19-2005  |  Reviews

Where the Queer and the Antelope Play

A love story in which you can't feel the love might sound like a dismal failure, but in Brokeback Mountain's case, it ain't.
Washington City Paper  |  Tricia Olszewski  |  12-19-2005  |  Reviews

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