AltWeeklies Wire

Going to the Wellnew

Unoriginal but pleasantly prosaic, Allen's latest is a diverting story of crime, love and luck that conducts itself with a refreshing absence of moral judgment.
Austin Chronicle  |  Marjorie Baumgarten  |  01-19-2006  |  Reviews

Woody Allen's Best Drama to Datenew

By swapping his trademark New York locales for London and ridding the film of neurotic wisecrackers, the director breaks his recent streak of pointless comedies and constipated dramas.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-19-2006  |  Reviews

Stretching the Pointnew

The hype is technically true: Match Point is Woody Allen's best movie in years, but only because he's already had practice making it.
Orlando Weekly  |  Steve Schneider  |  01-19-2006  |  Reviews

Sophisticated Surprisenew

Who is this Woody Allen fellow who made this fresh and interesting delight?
Tucson Weekly  |  James DiGiovanna  |  01-19-2006  |  Reviews

Solid Wood

This is the first good Woody Allen movie since the neurotic New Yorker realized that a significant shake-up was in order if he were to once again be regarded as, well, significant.
Washington City Paper  |  Tricia Olszewski  |  01-06-2006  |  Reviews

Power Pointnew

Woody Allen's location switch from New York to London has yielded his most bracing, sure-handed, satisfying film in at least a decade.
Boston Phoenix  |  Gary Susman  |  01-05-2006  |  Reviews

Scarlett's Lettersnew

Match Point co-stars Scarlett Johansson and Jonathan Rhys-Meyers lob a few in this interview.
Boston Phoenix  |  Gary Susman  |  01-05-2006  |  Profiles & Interviews

Serve and Follynew

Woody Allen's Cannes-hyped, Brit-inflected latest is a mildly pretentious mediocrity. The performances Allen gets, with his puppet hand permanently up his cast's colons, suggest an undergrad film adaptation of Dreiser.
The Village Voice  |  Michael Atkinson  |  12-29-2005  |  Reviews

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