AltWeeklies Wire
Roger Spottiswoode's Western-Do-Gooder-in-the-Third-World Flick Lacks Heartnew
The script suggests that the whole point of the brutal Japanese invasion of China in the 1930s was the moral redemption of a cynical British journalist and a guilty American ex-army wife.
Baltimore City Paper |
Geoffrey Himes |
07-08-2008 |
Reviews
'The Children of Huang Shi' Offers a Middling Historical Dramanew
The film is a "based on a true story" movie that feels about nine degrees removed from what probably really did happen -- and that within those degrees was probably a more interesting story.
The Memphis Flyer |
Greg Akers |
07-07-2008 |
Reviews
'The Children of Huang Shi': Epic Borenew
Spottiswoode is hardly alone in distilling a distant country's pain into the story of one white Westerner, armed with a similarly pale romantic interest and wry native sidekick, making a difference while world history rages around him.
L.A. Weekly |
Ella Taylor |
05-27-2008 |
Reviews
'The Children of Huang Shi' is Lovely to Look Atnew
But that's about it. The real star of Huang Shi is the cinematographer, Zhao Xiaoding, who was a camera operator on the breathtaking epic Hero and director of photography on House of Flying Daggers.
New York Press |
Raphaela Weissman |
05-22-2008 |
Reviews
Pronounced Dead
Like The Last Samurai, Memoirs of a Geisha is a well-researched, if misguided, tribute to Japan's bad old days of patriarchy and strict social hierarchy.
Washington City Paper |
Mark Jenkins |
12-19-2005 |
Reviews
Asia Minornew
Given that this movie is aimed at the art-house crowd, would it not have been possible to make it in Japanese? You never think you'll miss subtitles until a movie like this comes along.
