AltWeeklies Wire

John Forte: From Jailhouse to Jazzhousenew

Ex-Fugees producer Forte keeps a low profile these days. Since his release from prison last December, after serving seven years of a fourteen-year drug sentence, Forte has started treating home as his sanctuary.
East Bay Express  |  Rachel Swan  |  08-05-2009  |  Profiles & Interviews

Former Wild Weekender Maren Parusel Shows Off Her Softer Sidenew

If going from punk to piano was a strange transition, Parusel isn’t saying so.
San Diego CityBeat  |  Jim Ruland  |  08-05-2009  |  Profiles & Interviews

Cobra Starship's Ephemera Has Its Placenew

Hot Mess is a consummate piece of throwaway pop music: vapid and empty, but fun.
Tucson Weekly  |  Sean Bottai  |  08-05-2009  |  Reviews

Vicious Fun with the Dead Weathernew

Members of well-known decibel-heavy groups constitute the Dead Weather, who have just released a sludgy, nasty and--not shockingly--loud album of excellent blues-rock.
Tucson Weekly  |  Michael Petitti  |  08-05-2009  |  Reviews

'The Legend of God's Gun': Spaghetti Trailblazingnew

Whether you're into jazz, film scores or instrumental music in general, this Gun's aim is dead-on.
Tucson Weekly  |  Jarret Keene  |  08-05-2009  |  Reviews

Bowerbirds' Natural Soundsnew

Bowerbirds get inspiration from the wilds for their acoustic, spare arrangements.
Tucson Weekly  |  Gene Armstrong  |  08-05-2009  |  Profiles & Interviews

Rewriting the Book of Lovenew

Synth-pop quartet Book of Love has reunited and is touring, including a trip down memory lane to discuss when members of the group originally formed in Philadelphia as no wave band Head Cheese.
Philadelphia City Paper  |  A.D. Amorosi  |  08-05-2009  |  Profiles & Interviews

Brutal Truth: Interviewing Grindcore Bassist Dan Lilkernew

Brutal Truth, founded in 1990 by ex-Anthrax bassist Dan Lilker, has bookended the last decade by breaking up, reforming, and releasing arguably its finest record this year. In this Q&A Lilker discusses the band's recent history and metal's subgenres.
Baltimore City Paper  |  Michael Byrne  |  08-04-2009  |  Profiles & Interviews

Down in the Dumps with the Trashcan Sinatrasnew

Bands from the land that inspired Robert Burns to "wail thro' the dreary midnight hour" can, in fact, be a pretty mopey bunch. And the Trashcan Sinatras are really no exception, moments of optimism do slip through on the newly released In the Music.
Colorado Springs Independent  |  Bill Forman  |  08-04-2009  |  Profiles & Interviews

Three Brothers, Two Bands, One Writer, and a Reunion Show That Hits Homenew

Neither Anne Be Davis nor Harry Chronic Jr. played into local Detroit scenesterism — nobody would take kids from Grosse Pointe seriously, after all … except Meg White, and you see where that's gotten her.
Metro Times  |  Hobey Echlin  |  08-04-2009  |  Profiles & Interviews

A Conversation with The Low Anthem's Ben Knox Millernew

Miller is getting antsy. It seems he wants nothing more than to get back into the band's studio -- back to the collection of oddball instruments so gorgeously layered on Oh My God, Charlie Darwin, including zither, oil drum, and Tibetan singing bowls.
Pittsburgh City Paper  |  Aaron Jentzen  |  08-04-2009  |  Profiles & Interviews

No Doubt Searches for Its Musenew

It was over dinner sometime last November that the seeds for No Doubt’s current comeback tour were first planted.
Santa Barbara Independent  |  Aly Comingore  |  08-03-2009  |  Profiles & Interviews

Fear and Loathing in Camp Bisconew

Philadelphia's improvisational electro Disco Biscuits have curated the Camp Bisco music festival for eight years, bringing together three days of A-list acts and mud-caked shenanigans.
Philadelphia Weekly  |  Brian McManus  |  08-03-2009  |  Concerts

The Passion of David Bazannew

At the Cornerstone Christian rock festival, a fallen evangelical returns to sing about why he broke up with God.
Chicago Reader  |  Jessica Hopper  |  08-03-2009  |  Profiles & Interviews

In Search of the iTunes Killernew

There's something about Apple -- probably its nearly monopolistic control of certain markets or its disproportionate influence on the zeitgeist -- that brings out the bloodlust in new-media commentators and gadget bloggers.
Chicago Reader  |  Miles Raymer  |  08-03-2009  |  Music

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