AltWeeklies Wire
The Demigods of Canadian Metalnew
Anvil! The Story of Anvil picks up two decades after Canadian metal group Anvil's career, and the band is right back where it started--in Toronto, playing the odd gig and working day jobs to get by.
Boise Weekly |
Jeremiah Wierenga |
06-11-2009 |
Reviews
Jessica Biel and Her Director Are Equally Uneasy with Cowardnew
The biggest deficit in Easy Virtue is Jessica Biel, whose clomping, smugly false grasp of Noel Coward's diction would likely have her banned from the grounds of any summer stock company worth its salt.
Orlando Weekly |
Justin Strout |
06-11-2009 |
Reviews
Sam Mendes Finally Makes a Comedy, But It Just Doesn't Feel Rightnew
What Away We Go gets right is the certainty that when you're about to have a child, there's no one who can really convey what you're in for. The problem is that the film's message—everyone works it out as they go along—is told in such ham-handed fashion.
San Diego CityBeat |
Anders Wright |
06-10-2009 |
Reviews
'Outrage' Celebrates the Kiss-and-Tellnew
Kirby Dick's documentary offers a surprisingly in-depth look at D.C.'s secret gayness on the way to its apparent objective: justifying the privacy violations inherent in ejecting the Larry Craigs and Mark Foleys from D.C.'s crowded closet.
San Antonio Current |
Jeremy Martin |
06-10-2009 |
Reviews
Bleary-Headed Party Boys Aren't Quite As Bad As They Wanna Be–But They're Still Funnynew
Arguably, the cumulative effect of The Hangover isn't quite as outrageous as it could (or probably should) be. But fans of Todd Phillips' previous efforts will nurse sufficient belly laughs from the film's post-drunken shenanigans.
Weekly Alibi |
Devin D. O'Leary |
06-09-2009 |
Reviews
Tony Scott Continues Hijacking Denzel's Career in 'The Taking of Pelham 123'
How does one of the most universally respected actors of this generation come to trust this particular director -- and his obvious fascination with style over substance -- so implicitly?
Salt Lake City Weekly |
Scott Renshaw |
06-09-2009 |
Reviews
Yolande Moreau Unleashes an Artist's Heart
In writer/director Martin Provost's patiently restrained biopic about the self-trained French painter Seraphine Louis, the audience is brought increasingly closer into the heart and mind of a genius whose turbulent inner life eventually envelops her conscious being.
City Pulse |
Cole Smithey |
06-08-2009 |
Reviews
Tyson Tells His Story, Warts and Allnew
Tyson is obviously a must for fans of the sweet science, but the film's larger narrative about a man in search of redemption and understanding transcends any specifics about boxing.
Pittsburgh City Paper |
Al Hoff |
06-08-2009 |
Reviews
'Away We Go' Is an Unaffecting Work of Staggering Vacuitynew
Not surprisingly, in Dave Eggers' first original screenplay, Away We Go, the characters never shut up.
L.A. Weekly |
Scott Foundas |
06-05-2009 |
Reviews
'Drag Me to Hell' Is Drive-In Funnew
Sam Raimi stops playing with his cash long enough to spin a hilarious horror-movie yarn.
Tucson Weekly |
James DiGiovanna |
06-04-2009 |
Reviews
Mike Tyson Documentary Is a Knockoutnew
A captivating new documentary from director James Toback looks past the Mike Tyson cliches to provide a candid and uncensored first-hand account of the boxer's life story, and speaks far louder than any of Tyson's actions ever could.
Fast Forward Weekly |
Jesse Locke |
06-04-2009 |
Reviews
Todd Phillips Kneels at the Porcelain Altar Yet Again in 'The Hangover'new
In The Hangover, Todd Phillips has taken away the only bright spot that could come of being stuck in Vegas with middle-aged misanthropes--the drunken escapade--and opts to showcase the dull, offensive and humorlessly sober morning after.
Orlando Weekly |
Justin Strout |
06-04-2009 |
Reviews
'Little Ashes' Offers Contrasts in Artistic Engagement with the Worldnew
Though the filmmakers' affection for their subjects shines through, Little Ashes struggles with the challenges that inevitably arise in gossipy biopics about famous artists.
Creative Loafing (Atlanta) |
Curt Holman |
06-03-2009 |
Reviews
Zach Galifianakis Is the Best Bro at a Memorable Bachelor Partynew
The Hangover's plot sounds disturbingly like quintessential bro cinema. Only something funny happens on the way to a routine Hollywood man-comedy: Phillips gives a comedic genius his first big break and rediscovers the lost art of screwball.
Willamette Week |
Casey Jarman |
06-03-2009 |
Reviews
Jim Jarmusch's Latest Strips Narrative Cinema Down to Minimalist Allegorynew
The Limits of Control has proven to be extremely divisive, but the negative reactions testify to the shock that innovative cinema can produce.
Baltimore City Paper |
Steve Erickson |
06-02-2009 |
Reviews
