AltWeeklies Wire

Land of the Lostnew

Roland Emmerich still thinks big -- if he thinks at all.
New York Press  |  Armond White  |  03-13-2008  |  Reviews

Serial Abusenew

Michael Haneke claims modern sophistication but proves he's a sadistic fraud in an American adaptation of his own film.
New York Press  |  Armond White  |  03-13-2008  |  Reviews

'Funny Games' and 'The Witnesses': The Pain Eventnew

Two dramas explore the depths of human suffering.
Washington City Paper  |  Tricia Olszewski  |  03-13-2008  |  Reviews

Putting the B in 'B.C.'new

Ten thousand years ago, we were all swarthy and hot and had dreadlocks.
Arkansas Times  |  Matthew Reed  |  03-13-2008  |  Reviews

'Horton': Microcosmic Dustnew

Who says this latest Dr. Seuss adaptation doesn't have its charms?
Fort Worth Weekly  |  Cole Williams  |  03-13-2008  |  Reviews

Grace Notesnew

These must be the gentlest, most sensitive cops in the world.
Sacramento News & Review  |  Jonathan Kiefer  |  03-12-2008  |  Reviews

Mugging for the Cameranew

You have to wonder: Why an American shot-for-shot remake of Funny Games, Michael Haneke's decade-old Austrian film now?
San Antonio Current  |  Ashley Lindstrom  |  03-12-2008  |  Reviews

The Arthouse and the Slaughterhouse Meet Againnew

In 2008 -- the era of Eli Roth and Saw -- a remake of Funny Games should be extra potent, especially with Michael Haneke behind the camera and boasting a supreme cast.
Willamette Week  |  AP Kryza  |  03-12-2008  |  Reviews

Princess Feministnew

What Penelope says about chasing Prince Charming.
Charleston City Paper  |  Consuela Francis  |  03-12-2008  |  Reviews

Gus Van Sant's Beautiful Losersnew

Soliloquizing the life of a skateboarder in Paranoid Park.
San Francisco Bay Guardian  |  Max Goldberg  |  03-12-2008  |  Reviews

Giving the U.S. the 'Funny Games' it Deservesnew

It's worth noting that perhaps Haneke's most ingenious (and frequently overlooked) gambit is that there is almost no onscreen violence. As much as Funny Games feels like particularly merciless, graphic torture porn, the actual moments of assault are almost always cut away from or just out of frame.
San Francisco Bay Guardian  |  Dennis Harvey  |  03-12-2008  |  Reviews

Talking 'Married Life' with Ira Sachs and Chris Coopernew

The four friends in Sachs' mix of drama, dark comedy and a couple of scenes of genial whimsy, are lucid about some things but reserved about others.
Chicago Newcity  |  Ray Pride  |  03-12-2008  |  Profiles & Interviews

David Simon: 'The Wire' Exit Interviewnew

The Baltimore-set and -shot series that debuted in 2002 is officially over following this past Sunday night's series finale. It's over. Finished. Kaput. Long live The Wire.
Baltimore City Paper  |  Bret McCabe  |  03-12-2008  |  TV

Trick or 'In Treatment'new

Therapy, as Winston Churchill remarked of Russia, is "a riddle wrapped in a mystery inside an enigma." That's why the new HBO series, In Treatment, makes for such compelling and fearsome drama.
Hartford Advocate  |  A.J. Loftin  |  03-11-2008  |  TV

More Animated: Dr. Seuss Gets a Spotless Facelift

The best-loved 1954 children's book by Ted Geisel (AKA Dr. Seuss) gets an appropriately colorful and vibrant film treatment with the aid of beautiful animation and expressive vocal performances.
Maui Time  |  Cole Smithey  |  03-11-2008  |  Reviews

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