AltWeeklies Wire

The Photographer's Art of Imposing on Her Subjectsnew

No matter what the subject, Sylvia Plachy expresses an awkward intimacy through her lens.
C-Ville Weekly  |  Cathy Harding  |  06-10-2009  |  Art

Photographer Andy Cook Documents the People Behind the Grim Economic Statisticsnew

Cook recently found himself in the same position as a growing number of Americans -- unexpectedly out of a job. He turned his predicament on its head and the result is Faces of the Recession.
Baltimore City Paper  |  Lee Gardner  |  04-21-2009  |  Art

Photo Exhibit Reveals Unseen Alabamiansnew

The familiarity of the faces that fill each frame in "Just Down the Road" accounts for most of what makes this photo exhibit so engaging.
Birmingham Weekly  |  Glenny Brock  |  04-14-2009  |  Art

The Alibi's Sixth Annual Photo Contestnew

Is photography simply the capturing of a moment, or is it the creation of it? Don't look at us; we got nothing. Instead, look at the work submitted by Alibi readers to our annual snapshot shindig.
Weekly Alibi  |  Erin Adair-Hodges  |  04-14-2009  |  Art

One Woman's Quest to Celebrate Cancer's Scarsnew

Despite breast cancer's pervasive impact, mastectomy scars are an alien concept to most of us. On behalf of those who have battled breast cancer and the hundreds of thousands who soon will, Devon Williams, is on a mission to celebrate them publicly as marks of strength, perseverance, femininity and beauty.
Pasadena Weekly  |  Joe Piasecki  |  03-30-2009  |  Art

Double Exposure: Michael P. Smithnew

The work of cultural photographer Michael P. Smith, who died last year, is exhibited in two New Orleans venues, with one creating digital reproductions of rarely or not before seen images.
Gambit  |  Noah Bonaparte Pais  |  03-11-2009  |  Art

The Romance of Decay in Photosnew

Cheer up and don't let this dust-to-dust business slow you down. That's something to keep in mind when confronting the work of Jerry Berndt and Eugene Richards, two photographers with Boston ties adept at making art from what a lot of people consider ugly, untouchable things.
Boston Phoenix  |  Clif Garboden  |  03-05-2009  |  Nonfiction

A Conversation of Surprises at New Haven Gallerynew

Artists reinvent time. There is, of course, the new before and after of the work itself. The world is altered by each new making. But the best art can also render time as if it were powerless.
New Haven Advocate  |  Stephen Vincent Kobasa  |  02-17-2009  |  Art

Working Stiff: Amy Stein's 'Domesticated'new

As human domesticity presses onward and communities sprawl further into undeveloped regions, the wildlife in those regions runs out of places to remain wild. Think of it as the gentrification of nature. Photographer Amy Stein sees it less as coexistence, and more as entrapment.
Philadelphia City Paper  |  John Vettese  |  01-27-2009  |  Art

Two Photography Books Remember Punk's Growth Spurtsnew

Punk may roll a little in its grave now that it's been mythologized, but if it's going to get the coffee table treatment at least Skins & Punks and Radio Silence: A Selected Visual History of American Hardcore Music offer it respect.
Baltimore City Paper  |  Tony Ware  |  12-30-2008  |  Nonfiction

Annie Leibovitz Has Learned to See the Forest for the Treesnew

Annie Leibovitz at Work takes a different route than its shiny coffee-table counterparts, digging deep and dropping knowledge.
Philadelphia City Paper  |  Natalie Hope McDonald  |  12-09-2008  |  Author Profiles & Interviews

'The Oxford Project' Uses Photography as a Kind of Time Machinenew

Ultimately, The Oxford Project is an homage to Americana, a photographic record of small-town America and the story of intertwined lives. It is about history, personal and collective, and that ubiquitous force: change. This book, like the facets of human features, is so intriguing, it is nearly impossible to put down.
San Antonio Current  |  Lyle Rosdahl  |  11-13-2008  |  Nonfiction

Photographer Jerry Siegel Reveals the New in Familiar Southern Scenesnew

There's no human life in any of Jerry Siegel's photos, just the suggestion that it's still there. Humanity seems to be waiting silently on the edge of the frame, never in a rush to get back. Life has slowed down, slower than the usual Southern way.
Charleston City Paper  |  Laura Stokes  |  11-12-2008  |  Art

How to Build a Dish Like a Food Stylistnew

For all of her clients, Lisa Cherkasky is a perfectionist. Her process often involves forceps and tiny paintbrushes and, if pancakes are involved, Scotch Guard.
Washington City Paper  |  Jule Banville  |  11-06-2008  |  Food+Drink

A Horror Ride Through Boston's Undergroundnew

For the past few months, multimedia artist Kevin Banks has risked comfort and sanity to document the hellish underbelly of the Boston subway system. His pictures, raw and undoctored, bear witness to what happens to ordinary folks once the escalator deposits them in the nether-passages of the city.
Boston Phoenix  |  Kevin Banks  |  10-29-2008  |  Commentary

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