AltWeeklies Wire

Sautéed Chicken Breasts Over Fascism, From the Director of 'The White Ribbon'new

Dogmatic ideologies — religious, political and social — are central to Michael Haneke’s latest film, The White Ribbon, which unfolds in a rural German village during the year preceding the start of World War I.
L.A. Weekly  |  Scott Foundas  |  01-08-2010  |  Profiles & Interviews

'Daybreakers' Blends Action with Toothy Social Commentarynew

It turns out that Daybreakers not only excels as a visceral thrill ride, but it addresses issues of human greed and short-sightedness with rare skill and originality. This is definitely a film worth seeing.
Fast Forward Weekly  |  John Tebbutt  |  01-07-2010  |  Reviews

Agatha Christie Meets the Chicken Ladynew

Though The Kids in the Hall has continued to tour since its TV series ended in 1994, its new mini-series, Death Comes to Town, is the first time the Canadian comedy troupe has appeared in front of the camera since filming the cult favourite Brain Candy in 1996.
Fast Forward Weekly  |  Bryn Evans  |  01-07-2010  |  TV

Emily Blunt Proves She Can Carry a Film With Her Portrayal of Queen Victorianew

Emily Blunt absolutely sparkles in period-drama The Young Victoria, a film that manages to be a good (though embellished) piece of history and strikingly romantic at the same time.
Tucson Weekly  |  Bob Grimm  |  01-06-2010  |  Reviews

An Autistic Child Gets Aid From Mongolian Shamans in an Effective Documentarynew

The Horse Boy is a documentary about Rowan, a 5-year-old boy with severe autism-related behavioral problems. His father, Rupert Isaacson, is a journalist and human-rights activist who loves horses.
Tucson Weekly  |  James DiGiovanna  |  01-06-2010  |  Reviews

Reduce, Reuse, 'Revolt': Michael Cera's New Flicknew

As Sinatra-loving, foreign-film-renting Oakland high-school student Nick Twisp, Michael Cera’s having his usual troubles getting laid, or for that matter even interacting normally with girls or dudes his own age.
San Antonio Current  |  Jeremy Martin  |  01-06-2010  |  Reviews

Willamette Week's Top 5 TV Shows of 2009new

Yes, I know, it’s already 2010. I’m sure by now 2009 is now a distant memory. We’d rather forget the year that cultivated both the recession and MTV’s The City. While it’s a bit tough to summarize the best TV in a given year, as most shows run across years, these five stand above the rest.
Willamette Week  |  Ali Rothschild  |  01-06-2010  |  TV

Some Choice Literary Adaptations at This Year's Sundance Film Festivalnew

Though the overwhelming majority of Sundance titles are wholly original creations, there are a few literary adaptations scattered through the programming. Here’s a look at five books-turned-Sundance films to give you a taste of what you might be in for.
Salt Lake City Weekly  |  Scott Renshaw  |  01-05-2010  |  Movies

Vampire Majority : Blood is the Commodity

Sibling Australian filmmakers Michael and Peter Spierig (Undead, 2003) flip Hollywood's teen-friendly vampire trend on its head with a gory sci-fi world run by a majority population of bloodsuckers.
City Pulse  |  Cole Smithey  |  01-04-2010  |  Reviews

Filmmakers of the Decade: Steven Soderberghnew

Though Erin Brockovich and Traffic were taken seriously as works of social consciousness upon their release, watching them today, it’s impossible to ignore their tendencies toward Hollywood hallmarks such as subtext-free monologuing and suspiciously convenient justice.
L.A. Weekly  |  Karina LongworthLONGWORTH  |  01-04-2010  |  Profiles & Interviews

From Industry Turmoil, Great Films Arosenew

And so another year comes to an end, and with it a decade (Gregorian contrarians notwithstanding) in which the answer to the question “What is cinema?” underwent more radical transmutations than in any comparable period since the dawn of moving images.
L.A. Weekly  |  Scott Foundas  |  01-04-2010  |  Movies

Merry Pranksters 2.0: 'The Yes Men Fix the World'new

The exploits of leading Yes Men-bers as they impersonate the world's power brokers and put words in their mouths — sort of like a Sacha Baron Cohen movie, but with a sincere heart.
Weekly Alibi  |  Ari LeVaux  |  12-31-2009  |  Reviews

It's Over-Complicated: Meryl Streep is Terrible in Nancy Meyers' New Movienew

While there are some good laughs in It's Complicated, the latest from writer-director Nancy Meyers, the film is actually done in by a surprising culprit of bad overacting—none other than the ever-reliable Meryl Streep.
Tucson Weekly  |  Bob Grimm  |  12-31-2009  |  Reviews

'Sherlock Holmes' and 'Nine': Downey Shines, Day-Lewis is Atrociousnew

Daniel Day-Lewis may normally choose parts in which he can do no wrong, but as the tormented film director in Rob Marshall’s musical, he doesn’t come close to drinking anyone’s milkshake. And since Guido is the essence of the story, that makes Nine a bright, shiny snooze.
Washington City Paper  |  Tricia Olszewski  |  12-31-2009  |  Reviews

The Year of Staying In: In Lean Times, TV is a Saving Gracenew

You've got to laugh to keep from crying, and in 2009, as bad news streamed constantly on the cable news channels, I valued sitcoms more than ever. Thank God there were comedies worthy of our time.
INDY Week  |  Danny Hooley  |  12-31-2009  |  TV

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