AltWeeklies Wire

'Treeless Mountain' is an Exception to the Sentimental Rulenew

Korean-American director So Yong Kim's semi-autobiographical film has a premise especially ripe for mawkishness. But it evades schmaltz, in no small part because the Korean actresses themselves are so resolutely dry-eyed.
Willamette Week  |  Aaron Mesh  |  06-17-2009  |  Reviews

Post-'Multiplicity' Michael Keaton: Sadder, Wisernew

The Merry Gentleman is nearly an excellent three-way character study of isolation and regret within the confines of a muted crime plot. But Keaton, as superb as he is with actors (most likely owing to his being an underrated actor himself), doesn't have the directorial delicacy to balance it.
Willamette Week  |  Alex Peterson  |  06-17-2009  |  Reviews

'Management' Gets a Little Mired in Quirkiness for its Own Sakenew

Management can't be accused of excessive realism, but it does give your good will the benefit of the doubt. Stephen Belber and company have sense enough to find their own contrivance suspicious, but heart enough, thankfully, to want to indulge it anyway.
C-Ville Weekly  |  Jonathan Kiefer  |  06-17-2009  |  Reviews

Michael Keaton Directs Himself in 'The Merry Gentleman'new

If films were punctuation marks, Michael Keaton's most famous vehicle, Batman, would be an exclamation point. But this one is an ellipsis, and it challenges a viewer to imagine what lurks between the dots.
San Antonio Current  |  Steven G. Kellman  |  06-17-2009  |  Reviews

New Documentary Pays Tribute to Concert Posters Throughout the Decadesnew

Four years ago, as she was working a "cushy corporate television job," Merle Becker (former MTV staffer and founder of indie film company FreakFilms) stumbled across The Art of Modern Rock, a then newly published coffee-table book of rock posters. She says she was "blown away."
East Bay Express  |  Catherine Plato  |  06-17-2009  |  Profiles & Interviews

The New 'Pelham': Just Another Mindless Tony Scott Productnew

Like almost every single one of Scott's movies since 1998's Enemy of the State, though, Pelham's inevitable critical drubbing probably won't stop it from making pretty good money.
Baltimore City Paper  |  Bret McCabe  |  06-16-2009  |  Reviews

The Filmmaking Robinson Brothers Debut Their First Feature, 'China White'new

While Jonathan, now 28, and Rick, now 24, had always loved watching movies and even fooled around with video cameras, the idea of becoming professional filmmakers seemed too daunting for two guys who grew up in East Baltimore. But here they are, prepping for the world premiere of their debut feature.
Baltimore City Paper  |  Lee Gardner  |  06-16-2009  |  Profiles & Interviews

Natural Performances Save Dave Eggers, Vendela Vida and Sam Mendes from Themselvesnew

Its opening scene, a deadpan discussion of "vaginal flavors" during oral sex, threatens 90 minutes of the sort of self-satisfied wise-assery that too often intrudes on Dave Eggers' fiction. But Away We Go soon settles into a less strident pace, driven less by its authors' whims than by the casual airs of its leads.
Philadelphia City Paper  |  Shaun Brady  |  06-16-2009  |  Reviews

Baked Hope: Clay Animation '$9.99' Hits a Narrative Wall

Adapted from short stories by Etgar Keret, the film's tag line, that it's an animated feature which "offers slightly less than $10 worth about the meaning of life," is unfortunately all too true about a movie whose visuals far outweigh its dramatic reach.
City Pulse  |  Cole Smithey  |  06-15-2009  |  Reviews

'The Proposal' Shows That a Familiar Recipe Still Works With the Right Ingredients

Director Anne Fletcher's film is funnier and more charming than it seems to have any right to be.
Salt Lake City Weekly  |  Scott Renshaw  |  06-15-2009  |  Reviews

With 'Whatever Works,' Woody Allen Announces His Demise

Here's a movie that feels thrown together, as if Allen is attempting to purge as many films as he can before he shuffles off his mortal coil. His legacy is going in an emotionally threadbare direction.
City Pulse  |  Cole Smithey  |  06-15-2009  |  Reviews

'Management' Ends Up Engaging Despite Early Misstepsnew

Steve Zahn is at his most puppyish as the star of Management, but remember that puppies are those creatures that chew up your slippers, pee all over the place, and generally refuse to do what they’re told.
Artvoice  |  M. Faust  |  06-15-2009  |  Reviews

Woody Allen on Life, Actors, Younger Women and His 40th Filmnew

Allen's Whatever Works marks the realization of a project he first conceived in the 1970s as a vehicle for Zero Mostel, then set aside following the actor's untimely death. The result is a light comic burlesque -- a minor key but eminently pleasurable Allen confection
L.A. Weekly  |  Scott Foundas  |  06-12-2009  |  Profiles & Interviews

'Pelham' Remake Makes It Out of the Station Only to Jump the Tracksnew

Director Tony Scott turns a presciently post-9/11 movie into an explicitly post-9/11 movie. Make that post-post-9/11: The chief bad guy only looks like a terrorist, when in fact he's an even scarier, more au courant foe -- a commodities trader!
Nashville Scene  |  Jim Ridley  |  06-12-2009  |  Reviews

'The Hangover' Will Leave You Laughing—and Perhaps Feeling Guiltynew

Some unlucky bastards rue the sins of male celebratory debauchery in The Hangover, a bachelor-party film that really doesn't focus on the party itself.
Tucson Weekly  |  Bob Grimm  |  06-11-2009  |  Reviews

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