AltWeeklies Wire

Sundance Festival Goes Back to its Roots... Or Does It?new

This year, the movie that's attracted the scalping scene outside Eccles is The Runaways, a stylish biopic of the all-teen girl band of the same name. The film has been the subject of blog gossip, thanks to casting of Twilight starlet Kristen Stewart as Joan Jett.
L.A. Weekly  |  Karina Longworth  |  02-05-2010  |  Movies

Do I Want to Discuss the Symbolic Use of Firewood as a Weapon...? Nonew

Sometimes, I think Danish filmmaker Lars von Trier is a genius (The Kingdom, for example). Other times, I think he’s just an asshole (let’s go with Dogville). His newest film, the controversy-baiting horror whatsit Antichrist, is a coin toss.
Weekly Alibi  |  Devin D. O’Leary  |  02-02-2010  |  Reviews

Matthew Porterfield Talks About His Latest Projectnew

The second feature by filmmaker Matthew Porterfield is almost finished, though not the one you may have heard about. Putty Hill is making its world premiere at the Berlinale's International Forum for New Cinema in early February.
Baltimore City Paper  |  Bret McCabe  |  02-02-2010  |  Profiles & Interviews

Videogame Mentality: Action Post Card from Paris Self-Destructs

As with Spaghetti Westerns and sit-coms, you know they've jumped the shark when the tone turns to self-mockery. So it is that in one fell swoop John Travolta and suicide bombers have bid audiences their valediction.
City Pulse  |  Cole Smithey  |  02-01-2010  |  Reviews

Mel Gibson Crosses the Line in 'Edge of Darkness'new

In the pair of emotionally contradictory images that open Mel Gibson’s Edge of Darkness, swollen corpses surfacing on a moonlit river are followed without pause by grainy home video of a little girl playing in the surf.
Shepherd Express  |  David Luhrssen  |  01-29-2010  |  Reviews

The War Comes Home in 'The Messenger'new

The backdrop for The Messenger, Oren Moverman's astonishing directing debut, is especially resonant and cinematically uncharted.
INDY Week  |  Neil Morris  |  01-28-2010  |  Reviews

'Extraordinary Measures,' Ordinary Resultsnew

Harrison Ford turns up in a supporting role in Extraordinary Measures, and it's a good fit, probably the reason he also signed on as an executive producer.
Creative Loafing (Charlotte)  |  Matt Brunson  |  01-27-2010  |  Reviews

Hal Holbrook Shines in 'That Evening Sun'new

Like the Jeff Bridges vehicle Crazy Heart (scheduled to open locally this Friday), That Evening Sun is one of those films that generates nearly all of its goodwill from a smashing central performance by a long-established veteran.
Creative Loafing (Charlotte)  |  Matt Brunson  |  01-27-2010  |  Reviews

With 10 Best Picture Noms, is Oscar Up In the Air?new

After years of shrinking audiences and low-grossing Best Picture nominees, the Academy this year is hedging its bets. Why not expand the slate from five to 10, allowing voters to give lip service to the artsy-fartsy fare while also nominating the big box-office potboilers that they and everybody except for film critics really wanted to see?
Boston Phoenix  |  Peter Keough  |  01-27-2010  |  Movies

'The Providence Effect' Stands, Doesn’t Delivernew

Thanks to films like Dangerous Minds and Stand and Deliver, the "inspirational teacher" movie genre has become one of Hollywood's most predictable formulas. The Providence Effect proves that educational documentaries can succumb to clichés just as easily.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-26-2010  |  Reviews

'Hideous Men' Transcribes Interviews With Jerksnew

John Krasinski’s adaptation comes off awkward and obvious. Krasinski (of "The Office") wrote, directed and co-stars in his adaptation of the book by the late David Foster Wallace, but wastes his cast's manpower on themes that could fit on the average tweet, with letters to spare.
Creative Loafing (Atlanta)  |  Curt Holman  |  01-26-2010  |  Reviews

Swedish Director Takes Us On a Guilt Trip Around the Worldnew

Lukas Moodysson’s Mammoth employs a polyglot cast, a wide-ranging backdrop and assorted convergent storylines to ruminate on the sad state of interpersonal politics — in this case, modern parenthood and the worldwide socioeconomic factors that affect it both positively and negatively.
Weekly Alibi  |  Devin D. O’Leary  |  01-26-2010  |  Reviews

Looking Back: Mel Gibson Atones, Defeated

Acting in his first film since 2003, Mel Gibson is a bit rusty as retiring Boston homicide detective Thomas Craven in a part corporate-thriller and part old-school revenge fantasy that feels dated from the start.
City Pulse  |  Cole Smithey  |  01-25-2010  |  Reviews

The Exceptionally Cranky Life of Brother Theodorenew

To those who remember his appearances on David Letterman's show in the '80s, Brother Theodore was a German-accented, white-haired old crank whom Dave tried to goad—without much success—into a smile.
Seattle Weekly  |  Brian Miller  |  01-25-2010  |  Movies

Dinner & a Movie: My Date With Sandra Bullocknew

Dinner-and-a-movie joints face two main challenges: 1) having the clout to book first-run pictures from studios and 2) pricing a menu above the cheese-drenched nachos at Pacific Place yet below the $100-plus you can spend for a dinner date at Gold Class.
Seattle Weekly  |  Brian Miller  |  01-25-2010  |  Profiles & Interviews

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