AltWeeklies Wire
The New Containers of Music: Keeping Up With the Changing Industrynew
The people behind the bands at this year's South by Southwest talk about breaking out of music's old ways and repositioning the industry in the digital age.
Boise Weekly |
Gavin Dahl |
04-07-2010 |
Music
Tags: South by Southwest, SXSW
Wilco Continues to Manage the Extremesnew
Wilco is a bit like America’s answer to Radiohead. The band is hugely popular, inspiring major-league fan adoration, loads of Internet documentation and speculation, and ample critical acclaim.
New Haven Advocate |
John Adamian |
04-06-2010 |
Music
Tags: Wilco
Philly Musicians Show SXSW How It's Donenew
Like its restaurant scene, Philadelphia’s music community is in the midst of a renaissance. The regeneration was on abundant display during SXSW, where, no matter where you went, a band from Philly was on the tip of someone’s tongue, in front of their eyes or ringing in their ears.
Philadelphia Weekly |
Brian McManus |
04-05-2010 |
Music
Nashville's Working Musicians Share their Sordid Storiesnew
After talking to more than 20 of Nashville's resident music pros — from club owners to sidemen —the Scene takes a glimpse into this exclusive world of mishaps, transgressions and calamities.
Nashville Scene |
Adam Gold |
04-02-2010 |
Music
The Baghdad/Seattle Suite: An Iraqi / American Musical Collaborationnew
Iraqi oud player Rahim AlHaj collaborates with American guitarist Bill Frisell and violist Eyvind Kang in a performance of The Baghdad/Seattle Suite.
Weekly Alibi |
Mel Minter |
03-30-2010 |
Music
Watch Leonard Cohen Transfix 600,000 Tired Hippiesnew
It’s four in the morning, at the end of August, 1970, and Leonard Cohen is taking the stage in front of 600,000 restless fans at the Isle of Wight Festival. There have been fires, clashes, riots and aggressive outbursts toward the musicians.
Hartford Advocate |
John Adamian |
03-26-2010 |
Music
South by Southwest's Loss was Fort Worth's Gainnew
This year's SXSW in Austin was the best in several years even though a lot of clubs were empty... because where Fort Worth bands were playing, plenty of folks showed up.
Fort Worth Weekly |
Anthony Mariani |
03-26-2010 |
Music
What SXSW Says About Fort Worthnew
Austin's SXSW festival was a showcase of many things, including the metamorphasis of the recording industry and what it means to cities like Fort Worth, that have great local music bands that get largely overlooked by festival promoters.
Fort Worth Weekly |
Caroline Collier |
03-26-2010 |
Music
Monterey County’s Most Ambitious Musicians Seize South By Southwest’s Unique Platformnew
Wearing only tight green briefs and a Robin Hood hat, Rushad Eggleston dangled upside down like a bat from a rusting, two-story-high piece of scaffolding. Somehow, he managed to hold onto his oversize cello while he sawed on it like a frantic lumberjack.
Monterey County Weekly |
Stuart Thornton |
03-25-2010 |
Music
Attempting to Make Sense of SXSW, America's Premier Music Festivalnew
There are close to 2,000 registered bands at SXSW, although the impossible-to-determine unofficial number is probably twice that. If you perform, you will do so opposite hundreds of other bands from all over the world.
The Portland Mercury |
Ezra Ace Caraeff |
03-25-2010 |
Music
The Runaways’ Cherie Currie Gave Up Rock ‘n’ Roll to Swing Around a Chainsawnew
Cherie Currie was just a Bowie-obsessed 15-year-old smoking a cigarette at the Sugar Shack, an under-21 club in North Hollywood, when she was spotted by producer Kim Fowley. A Svengali, visionary and predator, he was cruising the underage clubs.
New York Press |
Sheila McClear |
03-18-2010 |
Music
The Problem With Independent Hip-Hopnew
I’m reluctant to admit it, but I don’t listen to much independent or alternative hip-hop these days, or at least not nearly as much as I did in college, when Rhymesayers, Def Jux and Stones Throw records were as much a part of my diet as ramen noodles and macaroni and cheese.
Shepherd Express |
Evan Rytlewski |
03-12-2010 |
Music
T-Model Ford Makes an Unannounced Stop Through Townnew
T-Model Ford is an old Mississippi Delta curiosity and a holdover from the early days of Fat Possum Records, an Oxford, Mississippi label originally formulated as a platform for a dying breed of blues — old, mostly African-American men with inscrutable relationships with their out-of-tune guitars.
C-Ville Weekly |
Andrew Cedermark |
03-10-2010 |
Music
Nothing Not New: I'm No Critic But I'm Also Not a Fan. I'm a Listenernew
I'm no critic. Even though I am paid to write about music — thanks to my role as a blogger responsible for writing about one new CD a day at www.NothingNotNew.com, an ostentatious yearlong project that has me listening to nothing not released in 2010 during the year 2010.
Phoenix New Times |
Jay Bennett |
02-23-2010 |
Music
Tags: www.NothingNotNew.com, Jay Bennett
Music Fans: Check Out These 10 Artists to Watch in 2010new
Not only do we already have some great touring acts slated to darken our club doors in the early months of the year — Aretha Franklin, Tegan and Sara, Screaming Females, Beach House and Quasi among them — we've also got a slew of new local albums to look forward to as well.
Nashville Scene |
Nashville Scene Staff |
02-05-2010 |
Music
