AltWeeklies Wire
Non-Special K
Johnny Knoxville made a name for himself by acting like a retard on Jackass, so consider The Ringer his comeuppance.
Washington City Paper |
Jason Powell |
12-23-2005 |
Reviews
Undercover Dick
Nobody should be surprised to see Jim Carrey and Tea Leoni get all manic on the big screen. So why doesn't Dean Parisot let his two leads have more fun with Fun With Dick & Jane?
Washington City Paper |
Josh Levin |
12-23-2005 |
Reviews
The Schlong Goodbye
Easy to like, especially for its non-fairy-tale-ish take on achieving contentment.
Washington City Paper |
Tricia Olszewski |
12-23-2005 |
Reviews
Sparkling Twit
Relentlessly loopy, the film aims to prove that, aside from the love of a wee lost boy for his mam, sass and sparkle conquer all.
Washington City Paper |
Tricia Olszewski |
12-23-2005 |
Reviews
Mission Unconscionable
Of the directors who transformed Hollywood in the '70s, Steven Spielberg has made both the most successful and the most simplistic movies. At this point, the last thing anyone could have reasonably expected from him is a film that's not only serious but also complex.
Washington City Paper |
Mark Jenkins |
12-23-2005 |
Reviews
The Plot Thickens
It's a shame the film's postreunification milieu is unlikely to resonate as much with Americans. Zucker never gets too zany or too maudlin, and its petty characters could serve as stand-ins for just about anyone.
Washington City Paper |
Jason Powell |
12-19-2005 |
Reviews
Tags: Dani Levy, Go for Zucker
Stalin the Family
A Meet the Parents retread with the kind of giant, kooky-but-loving brood without which holiday comedies wouldn't exist, The Family Stone will have you slapping your forehead, not your knee.
Washington City Paper |
Tricia Olszewski |
12-19-2005 |
Reviews
Beyond Xanadu
The Keeper is earnest and likable, if a bit too stolid for anyone without a pre-existing interest in the subject.
Washington City Paper |
Mark Jenkins |
12-19-2005 |
Reviews
Pronounced Dead
Like The Last Samurai, Memoirs of a Geisha is a well-researched, if misguided, tribute to Japan's bad old days of patriarchy and strict social hierarchy.
Washington City Paper |
Mark Jenkins |
12-19-2005 |
Reviews
Where the Queer and the Antelope Play
A love story in which you can't feel the love might sound like a dismal failure, but in Brokeback Mountain's case, it ain't.
Washington City Paper |
Tricia Olszewski |
12-19-2005 |
Reviews
Cheeky Monkey
How did Merian C. Cooper and Edgar Wallace's relatively simple story get stretched to such epic proportions? Well, the movie is first a smaller-scale Titanic, then a ballsier Jurassic Park -- and that's before the monkey business even gets going.
Washington City Paper |
Tricia Olszewski |
12-19-2005 |
Reviews
If I'm Lion, I'm Dyin'
If you and your kids aren't already admirers of the book, Narnia just may bore the crap out of the whole family.
Washington City Paper |
Tricia Olszewski |
12-09-2005 |
Reviews
Imperial Witnesses
To those who don't remember the Vietnam War, Winter Soldier may seem antique. Yet anyone who's been paying attention to the occupation of Iraq will recognize certain mind-sets, tactics, and weapons.
Washington City Paper |
Mark Jenkins |
12-09-2005 |
Reviews
Pseudo Arabia
Written and directed by Stephen Gaghan, who scripted Steven Soderbergh's structurally kindred Traffic, the intriguing but finally unsatisfying Syriana is the latest product of the Clooney-Soderbergh salutary-cinema factory.
Washington City Paper |
Mark Jenkins |
12-09-2005 |
Reviews
Spirits of Place
An art-house hit upon its original release 30 years ago, the film is the third of Italian director Michelangelo Antonioni's Anglo-American features. All three place a sociopolitical frame around the director's worldview.
Washington City Paper |
Mark Jenkins |
12-02-2005 |
Reviews
