AltWeeklies Wire

Mock Star: Carrie Brownstein is Making Fun of Younew

Don’t get offended, Portland: One of the generation’s most beloved indie rockers is about to ridicule America’s most unassailably indie city.
Willamette Week  |  Aaron Mesh  |  11-04-2010  |  Profiles & Interviews

Portland Stays Weird at TV’s 'America’s Got Talent' Auditionsnew

The AGT crew was in Portland looking for more talented and crazy people. It was the last and smallest stop on an eight-city audition circuit that included New York, L.A. and Chicago. Jason Raff, one of the show’s executive producers, says AGT chose Portland this year in part because “not many shows are filmed here.” In other words, we’re fresh meat.
Willamette Week  |  Ari Phillips  |  03-03-2010  |  Profiles & Interviews

Gus Van Sant Delivers the Story of Harvey Milk in His Most Political Film to Datenew

Milk, starring Sean Penn, seems to have transformed Van Sant from an aloof, apolitical outsider into a defender of gay rights.
Willamette Week  |  Staff  |  11-12-2008  |  Profiles & Interviews

The Coens Tighten the Beltwaynew

Burn After Reading, the subversive new comedy from Joel and Ethan Coen, prowls around the corridors of CIA headquarters at Langley, but it isn’t ideological either, unless you consider a despairing cackle an ideology.
Willamette Week  |  Aaron Mesh  |  09-10-2008  |  Profiles & Interviews

Alex Holdridge on the Perils of Shoestring-Budget Filmmakingnew

The Midnight Kiss director explains the dark place where indie filmmaking meets Starbucks.
Willamette Week  |  Aaron Mesh  |  08-27-2008  |  Profiles & Interviews

J. Gary Mitchell's Puppets Fight Pedophilianew

Mitchell, a soft-spoken 70-year-old with a dapper white mustache, has been directing and producing short educational movies for three decades, creating characters who warn against smoking and drinking. But his specialty since 1985's What Tadoo is gently informing children about sexual abuse.
Willamette Week  |  Aaron Mesh  |  07-23-2008  |  Profiles & Interviews

Rectum? Will Smith Damn Near Killed 'Emnew

I had hoped that Hancock would be a departure, that it might restore some of Smith's Fresh Prince swagger, but instead it's the most explicit demonstration yet of the wallowing that has drained a superstar of his powers.
Willamette Week  |  Aaron Mesh  |  07-02-2008  |  Profiles & Interviews

Forgetting, but Apparently Not Forgiving, Sarah Marshallnew

Apatow's created another sex comedy with another director-for-hire (Nicholas Stoller), and it takes the attitude that sex is a wholesome and laudable activity for every person to enjoy -- unless that person is your ex, in which case she must be punished.
Willamette Week  |  Aaron Mesh  |  04-16-2008  |  Profiles & Interviews

A Homemade Indiana Jones Movie is Exactly as Amazing as It Soundsnew

Long before Be Kind Rewind sparked a legion of fan films on YouTube, three Mississippi kids crafted what is now known as Raiders of the Lost Ark: The Adaptation, an amazing homemade replica of their favorite film.
Willamette Week  |  Andy Davis  |  04-16-2008  |  Profiles & Interviews

Matt Mccormick's Bright Futurenew

Portland's next great director was out on the road somewhere between here and Las Vegas, doing what he does best -- filming clouds and abandoned motor lodges -- when he realized he was alone.
Willamette Week  |  Aaron Mesh  |  04-09-2008  |  Profiles & Interviews

David Gordon Green Loves a Good Mistakenew

As Green debuts Snow Angels, a small-town tragedy starring Sam Rockwell and Kate Beckinsale, he's preparing for the August release of Pineapple Express, a big-budget stoner comedy produced by Knocked Up's Judd Apatow.
Willamette Week  |  Aaron Mesh  |  03-26-2008  |  Profiles & Interviews

Robert Benton on 'Feast of Love'new

Once in Benton's company, his generosity becomes instantly apparent: He's quick to praise the actors and cinematographers he's worked with, often crediting his films' innovations almost entirely to his collaborators.
Willamette Week  |  Aaron Mesh  |  09-26-2007  |  Profiles & Interviews

The Naked Truthnew

In 1945, Charis Wilson stopped posing for Edward Weston's iconic photographs -- half a century later, Ian McClusky has revealed her again.
Willamette Week  |  Aaron Mesh  |  03-07-2007  |  Profiles & Interviews

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