AltWeeklies Wire

Coen Brothers to Audience: 'Hold Still'new

The Coen brothers transcend themselves with No Country for Old Men.
L.A. Weekly  |  Scott Foundas  |  11-09-2007  |  Reviews

'Lions for Lambs': From a Lofty Liberal Lecternnew

Dramatic is a quality that Lions never comes close to achieving. It's a ponderous creation of sentimental high-mindedness and stilted evasiveness.
Artvoice  |  George Sax  |  11-09-2007  |  Reviews

Scenes from the Strikenew

"It's not going to be as much fun in two months, I'll tell you that," says John Carlen, a veteran Writers Guild member carrying a union placard.
L.A. Weekly  |  Steven Mikulan  |  11-09-2007  |  Movies

Why is Josh Brolin So Damn Happy?new

An Oscar-tipped turn in No Country For Old Men proves this Goonie is good enough after all.
NOW Magazine  |  John Harkness  |  11-09-2007  |  Profiles & Interviews

'Southland Tales': Dead on the 4th of Julynew

The maker of Donnie Darko goes funnily and frustratingly off the deep end.
Fort Worth Weekly  |  Kristian Lin  |  11-09-2007  |  Reviews

Brothers in Harmnew

Yes, they want you to know it's a tragedy.
Sacramento News & Review  |  Jonathan Kiefer  |  11-08-2007  |  Reviews

True Hollywood Storynew

Gladiator director Ridley Scott glams up the life of Harlem heroin distributor Frank Lucas.
Baltimore City Paper  |  Joe MacLeod  |  11-08-2007  |  Reviews

NW Film and Video Fest's Fuzzy Dedicationnew

The lineup of the 34th NW Film and Video Festival is a true hodge-podge of filmmaking ranging from stories of baseball and nuclear power plants to famous nudes and zombies, from all regions of the Northwest.
The Portland Mercury  |  Courtney Ferguson  |  11-08-2007  |  Movies

Are You Totally Sick of Vince Vaughn Yet?new

As is the case with nearly every film he's made since he stopped giving a fuck about his integrity, your capacity to sit through the madcappish holiday extravaganza of Fred Claus can likely be extrapolated from your answer to that question.
The Portland Mercury  |  Zac Pennington  |  11-08-2007  |  Reviews

Even Bono Can't Ruin Joe Strummernew

The Future Is Unwritten is saved by an absolutely stunning second act that focuses on Strummer's post-Clash output, his painfully lonely lost years, his family, and the man's storied legacy following his sudden death in 2002 from an undiagnosed congenital heart defect.
The Portland Mercury  |  Ezra Ace Caraeff  |  11-08-2007  |  Reviews

'War/Dance': Repair for Battlenew

Husband-and-wife filmmakers find a bright spot in a Ugandan war zone.
Washington City Paper  |  Maura Judkis  |  11-08-2007  |  Profiles & Interviews

Getting Drafted in 'Lions for Lambs'new

In his first turn in the director's chair since the political minefield of The Legend of Bagger Vance(?!?!), Robert Redford joins the well-intentioned, liberal baby-boomer chorus with his uniquely astute reaction to the War on Terror, Lions for Lambs.
The Portland Mercury  |  Zac Pennington  |  11-08-2007  |  Reviews

Plymped Outnew

Animator Bill Plympton draws naked people, flying jerks and music videos real, real fast.
Style Weekly  |  Brandon Reynolds  |  11-08-2007  |  Profiles & Interviews

Robert Redford Gets Preachynew

Amid the torrent of similarly opportunistic fare coming out of Hollywood this fall, Lions for Lambs is the singularly sanctimonious, heavy-handed and counterproductive of the lot.
INDY Week  |  Neil Morris  |  11-08-2007  |  Reviews

You Say You Want Imaginationnew

Across the Universe imagines the highlights of the tumultuous Vietnam era neatly restaged to song and dance.
Style Weekly  |  Wayne Melton  |  11-08-2007  |  Reviews

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