AltWeeklies Wire

'Love and Circuits' Captures America's Current Musical Undergroundnew

Cardboard Records founders Dan Friel and BJ Warshaw explain the comp in no humble terms: a representation of "the current underground scene as a whole." And it's a fair approximation, at least within the bounds of white twentysomethings' fickle tastes.
Baltimore City Paper  |  Michael Byrne  |  04-15-2008  |  Reviews

Papertrigger Bravely Blends Rock and Showmanshipnew

The heady blend of circus carousing and rock energy of the Philly band got its start in Syracuse, where its five members grew up and studied music together. Sporadically, usually during semester breaks from college, they'd get together and play for kicks.
Philadelphia City Paper  |  John Vettese  |  04-15-2008  |  Profiles & Interviews

Lucero's Redneck Emo: Why Not?new

What Lucero espouses is mostly this: overtly sensible, poppy rock 'n' roll with an introspective vibe.
Pittsburgh City Paper  |  Andy Mulkerin  |  04-14-2008  |  Reviews

'Slowcore' Legends American Music Club Play the Warholnew

AMC is back with a second album for Merge, The Golden Age, for which Eitzel and longtime guitarist Vudi recruited Sean Hoffman on bass and Steve Didelot on drums.
Pittsburgh City Paper  |  Aaron Jentzen  |  04-14-2008  |  Profiles & Interviews

Chiodos Makes It Majesticnew

Chiodos knew exactly what it was after on Bone Palace Ballet, a record that proves My Chemical Romance and Panic at the Disco aren't the only post-emo upstarts obsessed with classic-rock kings Queen.
The Georgia Straight  |  Mike Usinger  |  04-14-2008  |  Profiles & Interviews

Protest the Hero Demands Our Full Attentionnew

With Fortress, that path found Protest the Hero taking steps to ensure it wasn't ghettoized as a Canuck version of American concept-album kings Coheed and Cambria.
The Georgia Straight  |  Mike Usinger  |  04-14-2008  |  Profiles & Interviews

Laurie Anderson: Queen of Quirknew

The pop-tech performance queen's subversive stories speak truth to power.
Isthmus  |  Susan Kepecs  |  04-14-2008  |  Profiles & Interviews

For Philly's Jazz Scene, the Beat Goes Onnew

Pride, defiance and apologetics are close to the surface when one talks about jazz in Philadelphia, an underdog music in an underdog town.
Philadelphia Weekly  |  David Adler  |  04-14-2008  |  Profiles & Interviews

Blitzen Trapper Keeps It Shortnew

Brevity is a strong suit for the frontman of this Portland band.
Westword  |  Michael Roberts  |  04-14-2008  |  Profiles & Interviews

Ra Ra Riot Steps Ahead of the Suddenly String-Heavy Indie Rock Packnew

Despite frequent comparisons, Ra Ra Riot really couldn't sound more different from Arcade Fire.
Dallas Observer  |  Pete Freedman  |  04-14-2008  |  Profiles & Interviews

Music Biz's Latest Villain: The Price of Gasnew

Bands are scaling down their crews and itineraries.
Seattle Weekly  |  Karla Starr  |  04-14-2008  |  Music

Can Sasquatch's 'Carbon Negative' Efforts Help Save the Planet?new

Last year, the indie-rock festival went carbon neutral. Now it's aiming to be carbon negative.
Seattle Weekly  |  Brian J Barr  |  04-14-2008  |  Concerts

Ghost Bees Performs Strange, Spirited & Often Spooky Folknew

The band, led by twins Romy and Sari Lightman, is inspired by family ancestry. "Even as kids we always had this fascination with death and the supernatural," says Sari.
The Coast, Halifax's Weekly  |  Sean Flinn  |  04-14-2008  |  Profiles & Interviews

R.E.M., R.I.P.new

The alt-rockers can't revive themselves on Accelerate.
Isthmus  |  Tom Laskin  |  04-14-2008  |  Reviews

A New Roommatenew

Kent Lambert's one-man tech-pop project has been transformed by his time in Chicago.
Chicago Reader  |  Miles Raymer  |  04-14-2008  |  Profiles & Interviews

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