AltWeeklies Wire

The Greats of '68new

It may not get its due, but 1968 helped alter rock's reality.
New Times Broward-Palm Beach  |  Lee Zimmerman  |  07-29-2008  |  Music

Tales of Traveling Troubadour Shawn Snydernew

For the time being, however, Snyder is back home in Cooper City. He recently released his second album, Romantic's Requiem, a collection of soulful, introspective ballads and narratives culled from the experiences and encounters he gleaned from his journey, both physical and emotional.
New Times Broward-Palm Beach  |  Lee Zimmerman  |  07-29-2008  |  Profiles & Interviews

The Hard Lessons Learn There's No Easy Waynew

To simply say newly storied Motor City trio tours, however, is almost an understatement. The Hard Lessons spent more than six of the last 12 months on the road and they estimate that they've performed at least 600 shows since they formed nearly five years ago.
Metro Times  |  Bill Holdship  |  07-29-2008  |  Profiles & Interviews

Eric Roberson on the State of Black Musicnew

Does he have any suggestions on how to make black music less, um, pitiful?
Philadelphia Weekly  |  Craig D. Lindsey  |  07-28-2008  |  Profiles & Interviews

M. Ward on Cool Girl and Collaborate Zooey Deschanelnew

So how did a Hollywood actress become a musician, and a venerated one at that?
Philadelphia Weekly  |  Caralyn Green  |  07-28-2008  |  Profiles & Interviews

Matt Davis Creates a New Ode to Philly Every Monthnew

Davis, a 29-year-old jazz guitarist and composer who's halfway through a yearlong project he calls City of Philadelphia 2008.
Philadelphia Weekly  |  David Adler  |  07-28-2008  |  Profiles & Interviews

Katie Stelmanis Bridges the Classical/industrial Gapnew

Bands mix rap and rock, country and electronica, even klezmer and pop, but Katie Stelmanis has combined three styles that rarely interact: industrial, opera and classical.
NOW Magazine  |  Bryan Borzykowski  |  07-28-2008  |  Profiles & Interviews

Mulatu Astatke and the Swinging Addis Scene of the 60s Pop Up in Many Unlikely Places Latelynew

The seductive slink that characterizes the captivating music of Mulatu--who is to Ethiogroove what Fela Kuti is to Afrobeat--is a combustible concoction of traditional Ethiopian modes and rhythms mixed in with some nasty Nuyorican boogaloo and busted out with the boisterous bash of a Question Mark and the Mysterians frat rocker.
NOW Magazine  |  Tim Perlich  |  07-28-2008  |  Profiles & Interviews

RockyGrass Festival Breaks Free from Tradition While Staying True to its Rootsnew

Compared to its relative Telluride Bluegrass Festival, RockyGrass is a slightly smaller, more traditional affair. Traditional, that is, in a vague sense. In its 36th year, RockyGrass has grown to a three-day festival that spans more than a century of American roots music, from the banjo and mandolin songs with which we're most familiar to 21st century acoustic songwriting.
Boulder Weekly  |  Margaret Hair  |  07-28-2008  |  Music

Santa Barbara Record Label and Recording Studio Tackle the Corporate Mentalitynew

Behind the scenes at Santa Barbara's Corporate Nightmare Records.
Santa Barbara Independent  |  Brett Leigh Dicks  |  07-28-2008  |  Music

How Technology is Turning the Tables on the Westernization of Popnew

The exchange of musical ideas between the West and the rest of the world is evolving into a genuine conversation, and that can only be an improvement. The internet may be giving the music industry all kinds of fits, but it's pretty great for the health of music itself.
Chicago Reader  |  Miles Raymer  |  07-28-2008  |  Music

MSTRKRFT Heralds the Return of the Big Beatnew

Few of today's big-beat revivalists hew closer to the Chemical Brothers' model than Canada's own MSTRKRFT, a production duo comprising Jesse F. Keeler and Alex Puodziukas (aka Al-P).
The Georgia Straight  |  Martin Turenne  |  07-25-2008  |  Profiles & Interviews

Pop Wizard Kyle Andrews' Excellent New Album Turns Up the Volumenew

The DIY maestro's second full-length is a marvel: crisp, quirky, studio-quality pop recorded using little more than a laptop. Meet the future of the music industry.
Nashville Scene  |  Lee Stabert  |  07-25-2008  |  Profiles & Interviews

Roy Head Brings His Raunchy Soul to the Memphis Pops Festivalnew

In 1965, Head was a spastic, seething force of nature whose frenetic, hip-hunching dance moves made Elvis look like an arthritic altar boy.
The Memphis Flyer  |  Chris Davis  |  07-25-2008  |  Profiles & Interviews

Dex Romweber's Back Pagesnew

Those who have seen the semi-classic 1987 documentary Athens, GA/Inside Out have a hard time forgetting guitarist Dexter Romweber and drummer Chris "Crow" Smith blasting away with their uber-raw, enigmatic version of rockabilly as Flat Duo Jets.
The Memphis Flyer  |  Andrew Earles  |  07-25-2008  |  Profiles & Interviews

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