AltWeeklies Wire

Clint Eastwood's Changeling is All Tell, No Shownew

Eastwood may be aiming for a more restrained and dignified sort of period drama with Changeling, but here he's all surface, preferring the familiar scheme of evil and good, crime and punishment, over delving deeply into character or meaning.
Charleston City Paper  |  Felicia Feaster  |  11-05-2008  |  Reviews

We're All Just Players in 'Synecdoche, New York'new

Synecdoche is conceptually enormous, and at times it threatens to collapse under the heavy weight of its ambition, but it’s also new, fresh and, if you're willing to take the stage with Kaufman, as tragic and exciting as real life itself.
San Diego CityBeat  |  Anders Wright  |  11-05-2008  |  Reviews

Ache 'til You Laugh in 'Synecdoche, New York'new

After Synecdoche's Chicago International screening, I moderated an hour-long Q&A with Kaufman, and it was one of the more rapt audiences in my experience. Everyone had questions.
Chicago Newcity  |  Ray Pride  |  11-05-2008  |  Profiles & Interviews

'Soul Men' Offers Vintage Bernie Macnew

Director Malcolm Lee says he was just hearing back from a focus group about their reaction to his new movie when he learned that the film's co-star had died.
The Georgia Straight  |  Ian Caddell  |  11-04-2008  |  Profiles & Interviews

'Boogie Man' Looks at the Man Who Brought You Willie Hortonnew

Bending over backwards to be fair, Boogie Man both gives Atwater too much credit and doesn't give him enough blame. Surely this wasn't the first guy who ever played a dirty trick, but even if he was, is that anything to be impressed by?
Isthmus  |  Kent Williams  |  11-04-2008  |  Reviews

Bernie Mac Seals His Career With a Laugh in 'Soul Men'

Bernie Mac's last film before his untimely death is a let-it-rip irreverent comedy invested with Bernie's trademark brand of earthy humor.
City Pulse  |  Cole Smithey  |  11-03-2008  |  Reviews

'Madagascar: Escape 2 Africa' Wastes Time on the Stuff Between Gags

Haven't we, as a nation, progressed to the point where it would be okay for our animated films simply to abandon the pretense of a plot?
Salt Lake City Weekly  |  Scott Renshaw  |  11-03-2008  |  Reviews

'Filth and Wisdom' is Surprisingly Chastenew

If Alex Rodriguez is Exhibit A in Guy Ritchie's pending divorce from Madonna, then Exhibit B must surely be Madge's immaterial and unambitious directorial debut.
NOW Magazine  |  Barrett Hooper  |  11-03-2008  |  Reviews

Charlie Kaufman Talks About His Polarizing 'Synecdoche'new

In person, Kaufman is the last person in the world one could consider polarizing -- frail, neurotic, honest, sweet, tortured and in need of a hug, yes, absolutely.
Dallas Observer  |  Robert Wilonsky  |  11-03-2008  |  Profiles & Interviews

Kevin Smith Blows his Wad with 'Zack and Miri'new

Hard-up meets hard-on in a movie that's all heart once you get past the shit shot that'll shock only those for whom Clerks II's donkey show wasn't oh-God-no enough.
Dallas Observer  |  Robert Wilonsky  |  11-03-2008  |  Reviews

Elizabeth Banks Has the Balls to Play the First Lady and a Porn Novicenew

The self-professed "guy's girl" swears like a trucker and can talk about her vagina.
NOW Magazine  |  Radheyan Simonpillai  |  11-03-2008  |  Profiles & Interviews

'A Girl Cut in Two' is Hardly Incisive or Tension-Inducingnew

Chabrol has often been compared to Hitchcock, but this has always been a dubious association. Girl has been worked out with some care, but Chabrol's visual compositions and chromatic palette are more involving than his narrative.
Artvoice  |  George Sax  |  11-03-2008  |  Reviews

The New Wild West: Talking with Guy Ritchienew

Timing, as you may have heard, is everything. While I would never imply that a married couple would get divorced simply to publicize a movie, it can't hurt the box office potential of Guy Ritchie's new RocknRolla to be mentioned in every one of the far too numerous tabloid stories about his recently announced breakup with his unimonikered wife.
Artvoice  |  M. Faust  |  11-03-2008  |  Profiles & Interviews

Chris Smith Takes up Fiction... In Indianew

For a film with so many elements seemingly at odds, The Pool is distinctly relatable. It is the work of Chris Smith, who we know best as the documentarian behind American Movie and The Yes Men. The Pool, on the other hand, is straight-up fiction.
The Portland Mercury  |  Marjorie Skinner  |  10-31-2008  |  Reviews

Patti Smith Gets the Documentary She Deservesnew

With Dream of Life, director (and Smith superfan) Steven Sebring has assembled a strange and beautiful tribute to Smith, equal parts biography, music video, and love letter.
The Portland Mercury  |  Alison Hallett  |  10-31-2008  |  Reviews

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