AltWeeklies Wire

Strawbs Unpluggednew

The Strawbs grew out of the country-squire English folk music scene, but their music is also informed by early rock 'n' roll.
Tucson Weekly  |  Gene Armstrong  |  11-04-2004  |  Profiles & Interviews

Behind the Legendnew

Believe the hype: Jamie Foxx is an amazing Ray Charles in Ray.
Tucson Weekly  |  Bob Grimm  |  11-04-2004  |  Reviews

Engagingly Unrevealingnew

Never heard of Jandek? The documentary about this elusive musician is still a must-see.
Tucson Weekly  |  James DiGiovanna  |  11-04-2004  |  Reviews

An Unleashed Voicenew

The slam scene unleashed Patricia Smith's voice as a poet. And it cushioned her later, after she was accused of fabricating some of her columns in The Boston Globe.
Tucson Weekly  |  Joan Schuman  |  11-04-2004  |  Author Profiles & Interviews

Hate Crimenew

While Tucson has a progressive reputation, the 2002 death of Philip Walsted serves as a reminder that anti-gay hatred remains.
Tucson Weekly  |  Saxon Burns  |  11-04-2004  |  LGBT

Crowning Glorynew

Post-election food for thought: Why do all the Republican women have hair that looks like THAT?
Tucson Weekly  |  RenĂ©e Downing  |  11-04-2004  |  Commentary

Hometown Favorite Becomes NBA Go-To Guynew

Devin Brown played college ball at The University of Texas at San Antonio and clawed his way onto the San Antonio Spurs' roster after a year in the limbo leagues. No one ever expected him to take center stage in the NBA playoffs, much less in a widely anticipated shootout with the Lakers.
San Antonio Current  |  Gilbert Garcia  |  11-04-2004  |  Sports

Life Seems Neither Morose or Obtuse Enoughnew

Type O Negative's first album in four years features all the group's hallmarks: lyrics both mournful and puerile, delivered in Steele's grave, guttural voice.
Creative Loafing (Atlanta)  |  Tony Ware  |  11-04-2004  |  Reviews

Trio Takes Much-Needed Turn Toward Substantial Songwritingnew

Slowing down the post-punk velocity and balancing raw electronic textures against stripped-down arrangements and an introspective tenor, Q and Not U has definitely come into its own.
Creative Loafing (Atlanta)  |  Chad Radford  |  11-04-2004  |  Reviews

Aussie Country Singer Back With New Albumnew

Motherhood will certainly change one's outlook on life, and it has only served to enrich the artistic spirit of Australia's alt-country darling Kasey Chambers. In preparation for her upcoming U.S. tour supporting her third CD, Chambers reflects on how life on the road merges with parenting her 2-year-old.
Creative Loafing (Atlanta)  |  James Kelly  |  11-04-2004  |  Profiles & Interviews

Saving the U.S. from Its Real Journalismnew

Structured like a parody of a high school history textbook, the book is so often on the mark in its satire of American history, institutions and self-centeredness that it may very well end up being used by some high school teacher this year.
Montreal Mirror  |  Juliet Waters  |  11-04-2004  |  Nonfiction

Karma Cleanser: Should I Tell Friend About New Love's Past?new

My friend Rich is dating a former porn star, but I don't think he knows about her exhibitionist past. Should I tell him?
Creative Loafing (Atlanta)  |  Tray Butler  |  11-04-2004  |  Advice

Corkscrew: Making Friends With the Dark Grapenew

After 15 years of intensive wine therapy, this wine critic loves red wine. Here are the reasons you should drink red, even though you love white, and some of the best selections available.
Creative Loafing (Atlanta)  |  Taylor Eason  |  11-04-2004  |  Food+Drink

Author Looks to Unlock Truth of Houdini's Final Vanishing Actnew

J. Gordon Whitehead visited Houdini backstage and punched the master of escape in the stomach. Houdini died a few days later. Was it murder or a dumb prank gone wrong? Don Bell, one of Montreal's great essayists, spent the last two decades of his life tackling the mystery.
Montreal Mirror  |  Kristian Gravenor  |  11-04-2004  |  Author Profiles & Interviews

Undertow Evokes Fairy Tale, Myth and the Cain and Abel Storynew

Filmmaker David Gordon Green cultivates a mood of impending bloodshed, but by evoking Southern horror flicks and crime potboilers of the 1970s. Using natural light and shaky camera work, Undertow plays out like the bad dream you might have after watching a night of R-rated films.
Creative Loafing (Atlanta)  |  Curt Holman  |  11-04-2004  |  Reviews

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