AltWeeklies Wire

Decent Receptionnew

Cellular is implausible, but good performances and solid direction put it over the top.
Tucson Weekly  |  Bob Grimm  |  09-16-2004  |  Reviews

A Giant Burrito of Sorrownew

Vincent Gallo’s drive across America proves to be a good-looking, albeit occasionally sucky experience
Tucson Weekly  |  James DiGiovanna  |  09-16-2004  |  Reviews

Sky Captain Needs Work on Charactersnew

The soft-focus, Technicolor-inspired footage offers an incredibly lush fantasy world, but filmmakers fell into the Star Wars prequel trap by paying so much attention to the digital effects that they forgot to work on the slow-moving story and undeveloped characters.
Creative Loafing (Atlanta)  |  Heather Kuldell  |  09-15-2004  |  Reviews

Ju-on Marks Turning Point for Japanese Horrornew

Technically, this is Shimizu's third theatrical feature in a franchise begun with a made-for-TV film called Ju-on: The Curse. That might explain Shimizu's fiendish resistance to lay out the film's supernatural rules. The audience stays as off-balance as the characters.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-15-2004  |  Reviews

Election infectionnew

Power, politics, and puppets converge in Bush's Brain and Silver City.
San Francisco Bay Guardian  |  Cheryl Eddy  |  09-15-2004  |  Reviews

Heaven Can Waitnew

Expect wire-fu, recognizable Hong Kong stars, or even a plot that makes you think, and you'll be both disappointed and bored with Warriors. But hang in there until the second half, and the payoff arrives.
East Bay Express  |  Luke Y. Thompson  |  09-14-2004  |  Reviews

The Phantom Menacenew

The film is a little bit eerie, completely disjointed, and sporadically amusing — kind of like Lost in Translation, but with wanton slaughter. Do not expect more.
East Bay Express  |  Gregory Weinkauf  |  09-14-2004  |  Reviews

Vile With a Smilenew

In this fairly faithful adaptation of Evelyn Waugh's trenchant novel Vile Bodies, our giddy hosts are the eponymous "bright young things," the glammy, restless, 24-hour party people of 1930s England, busily getting bombed before busily getting bombed.
Miami New Times  |  Gregory Weinkauf  |  09-14-2004  |  Reviews

Wet Kisses: Surf Yarn Shows Social Changesnew

Not since Bruce Brown's The Endless Summer, released in 1966, has surfing been shown in such a worshipful light.
Phoenix New Times  |  Bill Gallo  |  09-13-2004  |  Reviews

Future Shock: Director Paints a Plausibly Problematic Tomorrownew

At once a weirdly familiar sci-fi trip, a bleak romance, a treatise on technology run amok, and a hot sirocco of mood, Code 46 is the successor to Blade Runner we've long awaited.
The Pitch  |  Gregory Weinkauf  |  09-13-2004  |  Reviews

Silver City Stands Out in Season of Political Intriguenew

The new John Sayles movie, set and shot in Colorado, is downright bracing, and it has the kind of dramatic acumen the blunt propagandists can only dream about. There's no mistaking its liberal, or progressive, stance, but it's neither a bag of tricks nor a self-righteous rant.
Westword  |  Bill Gallo  |  09-10-2004  |  Reviews

#$*! If We Knownew

Quantum physics, intent and possibility, science and fantasy … Is this doc hybrid a goofy cult phenomenon or educational primer?
Austin Chronicle  |  Marc Savlov  |  09-10-2004  |  Reviews

Just Shoot Menew

Each character is more distasteful than the next in this vicious revenge fantasy produced by Mel Gibson.
Austin Chronicle  |  Marjorie Baumgarten  |  09-10-2004  |  Reviews

Women in Lovenew

In this mildly daffy Spanish import, a woman's grown daughters react to the news that their mother has taken a female lover 20 years younger than she.
Austin Chronicle  |  Kimberley Jones  |  09-10-2004  |  Reviews

When Metal Meets Touchy-Feelynew

You don't have to be a Metallica fan to enjoy this candid documentary about rockers in therapy.
Austin Chronicle  |  Marrit Ingman  |  09-10-2004  |  Reviews

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