AltWeeklies Wire

The Intricate Puzzles of 'Michael Clayton'new

Tony Gilroy's film may turn out to be the earliest major Oscar candidate out of the gate, but it's also a commendable rarity: a film of genuine artistic ambition that is also extravagantly entertaining.
INDY Week  |  Godfrey Cheshire  |  10-11-2007  |  Reviews

'Michael Clayton': Mr. Bagmannew

The flawed legal thriller still wins favorable judgment.
Fort Worth Weekly  |  Kristian Lin  |  10-11-2007  |  Reviews

Somehow 'Ira & Abby' is a Multifaceted Movienew

Ira & Abby is the story arc for the entire five seasons of Dharma & Greg compressed into movie-length form.
Orlando Weekly  |  Jason Ferguson  |  10-11-2007  |  Reviews

'Spider Lilies': Tattoo Younew

Sensuality spins out at Out on Film.
Creative Loafing (Atlanta)  |  Curt Holman  |  10-11-2007  |  Reviews

'Michael Clayton': Uncivil Actionnew

George Clooney vehicle thrives on moral ambiguity.
Creative Loafing (Atlanta)  |  Curt Holman  |  10-11-2007  |  Reviews

Spread 'Em!new

Lust, Caution and We Own the Night grapple with their sense of place.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  10-11-2007  |  Reviews

The Honeymoonersnew

Ben Stiller and the Farrelly brothers re-team for the uneven but enjoyable Heartbreak Kid.
Tucson Weekly  |  Bob Grimm  |  10-10-2007  |  Reviews

Legal Thrillernew

George Clooney's Michael Clayton offers movie-goers a nice time at the movies.
Tucson Weekly  |  James DiGiovanna  |  10-10-2007  |  Reviews

Wes Anderson's Man-Boysnew

The thing that elevates The Darjeeling Limited, what makes it a movie well worth seeing, is how aware the director is of limitations -- in his characters and himself.
Willamette Week  |  Aaron Mesh  |  10-10-2007  |  Reviews

Tilda Swinton, Gangstanew

Director Tony Gilroy pulled in George Clooney, Tom Wilkinson, Sydney Pollack, and Swinton -- not exactly the chopped liver of the film world -- to bring the required tension to a somewhat dull script for Michael Clayton.
San Antonio Current  |  Ashley Lindstrom  |  10-10-2007  |  Reviews

Wes Anderson Gets Back on Tracknew

Anderson, the director-guru of hipsters everywhere, has returned with his best film since Rushmore.
San Diego CityBeat  |  Anders Wright  |  10-10-2007  |  Reviews

The Edward Scissorhands for South Carolinanew

Pearl Fryar's cavernous voice is a major reason this big-screen profile of the Bishopville, S.C., topiary artist is appealing.
Charleston City Paper  |  Chris Haire  |  10-10-2007  |  Reviews

Cynthia Hill Examines the Plight of Low-paid Field Handsnew

In The Guestworker, the closest Hill gets to editorializing is juxtaposing images of a farmer eating a family meal in his house with those of the guestworkers' shoddier living conditions.
Charleston City Paper  |  Nick Smith  |  10-10-2007  |  Reviews

Laboring with Childhood in 'My Kid Could Paint That'new

Amir Bar-Lev's excellent documentary starts out as a straight-up chronicle of a way-underage artistic phenomenon, until unforeseen developments suggest some sort of mass-media con job based on dreams of squeaky-clean white suburbia.
San Francisco Bay Guardian  |  Dennis Harvey  |  10-10-2007  |  Reviews

'The Jane Austen Book Club': The Slight Fluffnew

Underdeveloped, unbelievable women, borderline gross romances, and talky bits -- shh, it's not over yet!
Baltimore City Paper  |  Anna Ditkoff  |  10-09-2007  |  Reviews

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