AltWeeklies Wire
'Hounddog': Amorphous Southern Soupnew
Even before its premiere at the 2007 Sundance Film Festival, Hounddog was known as "the Dakota Fanning rape movie." The film got a lot of notoriety but for more than a year, until this spring, couldn't get a distributor.
The Memphis Flyer |
Greg Akers |
09-19-2008 |
Reviews
'Ghost Town' Barely Gets By, Thanks to Ricky Gervaisnew
It's likable enough for its first two-thirds or so, before the achingly predictable plot churns into high gear and director/co-writer Koepp pours on the sap at the expense of humor.
Las Vegas Weekly |
Josh Bell |
09-19-2008 |
Reviews
First Shot: 'Sex Drive'new
"Watch this," we whispered to a buddy as the trailer for Sex Drive rolled. "In about five seconds, this chick is going to take a totally awesome gainer. Right on her face." Plus: Short reviews of Lakeview Terrace, Ghost Town, My Best Friend's Girl, Igor, and In Search of a Midnight Kiss.
Orlando Weekly |
Steve Schneider |
09-18-2008 |
Reviews
'Burn After Reading' is a Coen Brothers Comedy Classicnew
The brothers have complete control, an impeccable crew and some of the best actors in the business, all seemingly having the time of their lives. The result is a blast on par with their Raising Arizona and The Big Lebowski.
Tucson Weekly |
Bob Grimm |
09-18-2008 |
Reviews
After Odd Start, 'Tell No One' Really Gets Goingnew
If you want to see a difficult film with good action, a fine performance by Kristin Scott Thomas, a confusing and potentially dull first third and a neat payoff at the end, I'd suggest Tell No One. If you just want a delicious snack, I'd suggest an orange bell pepper dipped in hummus. The choice is yours.
Tucson Weekly |
James DiGiovanna |
09-18-2008 |
Reviews
Tags: Guillaume Canet, Tell No One
Strangers on a Train in 'Transsiberian'new
As a representative of a badly degraded genre, this tale of treachery and drug trafficking aboard a train traveling from Beijing to Moscow has a certain workmanlike integrity.
Independent Weekly Critic Godfrey Cheshire's 'Moving Midway'new
In his first feature, Cheshire put his great big, highly engaging Southern family (considerably bigger by the close of the show than at its inception) up on the silver screen, with no less serious a literary purpose than the Bard of Oxford, yet with a light touch all his own.
'Battle in Seattle': Free-Trade Aggrievementnew
The riots begin early in Battle in Seattle, and not 20 minutes into Stuart Townsend's portrayal of the 1999 World Trade Organization protests, there's a doomsday exchange between the city’s police chief and its freaked-out mayor.
Washington City Paper |
Tricia Olszewski |
09-18-2008 |
Reviews
'A Girl Cut in Two' and 'Towelhead': The Feminine Mistakenew
Two films portray women who turn into others' playthings.
Washington City Paper |
Tricia Olszewski |
09-18-2008 |
Reviews
'Towelhead': American Uglynew
In Alan Ball's woeful expose of racism and underage sexuality, 13 will get you 20.
Metro Silicon Valley |
Richard von Busack |
09-18-2008 |
Reviews
'Lakeview Terrace' Gives Us Straw Men in a 'Straw Dogs' Situationnew
Trying to play Iago and Othello at the same time is a stretch for any actor, even Samuel L. Jackson, and Lakeview Terrace shows one fine urban thespian at his limits.
Metro Silicon Valley |
Richard von Busack |
09-18-2008 |
Reviews
'August Evening': Apolitical Immigration Argumentnew
Alamo City is no land of golden opportunity, offering only dog tracks, layoffs, and day-labor lines to Spanish speakers with limited educations and no paperwork.
San Antonio Current |
Jeremy Martin |
09-17-2008 |
Reviews
Tags: August Evening, Chris Eska
The Prodigal Critic Returns with a Movie About His Dating Disastersnew
David Walker defined the job of Willamette Week screen editor with his lacerating judgments. When he left the paper in 2006, he turned his critical eye on himself--and emerged with Damaged Goods, his first full-length movie and a bilious examination of singles desperately seeking romantic affirmation.
Willamette Week |
Aaron Mesh |
09-17-2008 |
Reviews
Tags: Damaged Goods, David Walker
After 'No Country,' 'Burn After Reading' is a Letdownnew
What does a lackluster project matter, coming off four Academy Awards and a devout fan base? Like Wal-Mart and obesity, the Coens are an American institution with no chance of going away despite anyone's protests.
Charleston City Paper |
Felicia Feaster |
09-17-2008 |
Reviews
'Righteous Kill' Reunites Two Aging Film Icons for Their Biggest Mystery Yetnew
There's nothing wrong with Robert De Niro and Al Pacino taking on tough-guy roles again, but there's something overly strenuous about the effort in this case.
Style Weekly |
Wayne Melton |
09-17-2008 |
Reviews
