AltWeeklies Wire

Hollywood Takes a Stab at Hollywood in 'What Just Happened?'new

I'm going to suggest one measure for judging a Hollywood satire: Does it leave you wanting to see the fictional film-within-the-film it dramatizes? If not, the L.A. story probably doesn't qualify as a success
Creative Loafing (Atlanta)  |  Curt Holman  |  10-29-2008  |  Reviews

'Righteous Kill' Reunites Two Aging Film Icons for Their Biggest Mystery Yetnew

There's nothing wrong with Robert De Niro and Al Pacino taking on tough-guy roles again, but there's something overly strenuous about the effort in this case.
Style Weekly  |  Wayne Melton  |  09-17-2008  |  Reviews

'Righteous Kill' is a Clichéd Crime Dramanew

It's hard for film buffs not to raise an eyebrow in cautious excitement upon hearing that Robert De Niro and Al Pacino will star in a New York City cop flick. But even these heavyweights can't prop up a pic by themselves.
Montreal Mirror  |  Christopher Sykes  |  09-12-2008  |  Reviews

A Numb Fixernew

Though illuminating as a history primer on the CIA, The Good Shepherd has the spark of an 8 am college lecture.
Orlando Weekly  |  Jason Ferguson  |  01-18-2007  |  Reviews

The Patriotnew

One of the most delightfully paranoid films in years, The Good Shepherd bears the unofficial tagline "trust no one," an apt directive for a movie that's drenched in the theory and practice of intelligence.
Eugene Weekly  |  Jason Blair  |  12-29-2006  |  Reviews

Spy vs. Engaging Spynew

The Good Shepherd is almost three hours long -- it's so good, it could have been even longer.
Tucson Weekly  |  James DiGiovanna  |  12-27-2006  |  Reviews

Good Will Peddlingnew

Sober and assured, yet the events are so cryptic that the movie should probably come with a study guide.
Washington City Paper  |  Mark Jenkins  |  12-22-2006  |  Reviews

All Along the Watchtowernew

Matt Damon abandons the cat-and-mouse theatrics of his Bourne identity to play the reserved fictional functionary whose life serves as the prism through which this film examines the early years of the CIA.
Austin Chronicle  |  Marjorie Baumgarten  |  12-22-2006  |  Reviews

An All-American Sacrificenew

De Niro creates a patriotic masterpiece.
New York Press  |  Armond White  |  12-21-2006  |  Reviews

A Bright Light on the CIA

Robert De Niro's second outing as director pinpoints the ruthless and dogmatic sense of privileged ideology and unscrupulous secrecy that enabled the creation of the CIA.
Maui Time  |  Cole Smithey  |  12-18-2006  |  Reviews

Focking Wonderfulnew

When your movie gets riotous laughter out of endless utterances of the word "Focker," it doesn't have to try very hard. But Barbra Streisand and Dustin Hoffman light this film on fire.
Cleveland Scene  |  Robert Wilonsky  |  12-29-2004  |  Reviews

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