'The Merry Gentleman': A Job for Batman
Chicago Reader |
January 22, 2008
Chicago Reader
Chicago Reader, a pioneer of the weekly alternative press, is one of the largest and most successful AAN publications, recognized throughout the industry for both editorial excellence and advertising impact. It publishes an average of 100 pages per week in...
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More by Ed M. Koziarski
Inside the Ministry Movie Meleenew
Why wasn't Al Jourgensen at last week's premiere of Fix: The Ministry Movie? Buckle up -- it's complicated.
Chicago Reader |
Ed M. Koziarski |
04-18-2011 |
Music
From Iraq to Iowanew
With a little help from Kartemquin Films, Usama Alshaibi documents the Arab-American experience.
Chicago Reader |
Ed M. Koziarski |
08-09-2010 |
Profiles & Interviews
Tags: Usama Alshaibi, Kartemquin Films
Jonathan Leyser Works to Finish the First Documentary on the Entire Life of William Burroughsnew
The 24-year-old is nearly finished with an ambitious assessment of perhaps the greatest literary outlaw of the 20th century.
Chicago Reader |
Ed M. Koziarski |
08-31-2009 |
Profiles & Interviews
More by Chicago Reader
From Iraq to Iowanew
With a little help from Kartemquin Films, Usama Alshaibi documents the Arab-American experience.
Chicago Reader |
Ed M. Koziarski |
08-09-2010 |
Profiles & Interviews
Tags: Usama Alshaibi, Kartemquin Films
Chris Rock in a Hard Placenew
The comedian faces a classic African-American dilemma.
Chicago Reader |
J.R. Jones |
04-26-2010 |
Reviews
Do Government Subsidies for Film Production Create a 'Race to the Bottom'?new
Especially now, when so many traditional jobs have been lost, "everybody wants to be Hollywood east," Cornell University professor Susan Christopherson says. It's "sexy meets desperation." More than 40 states are actively vying for movie production business, upping the ante on subsidies in what she calls a "race to the bottom."
Chicago Reader |
Deanna Isaacs |
11-30-2009 |
Movies
The Bad Lieutenant Gone Wildnew
When I first read about Bad Lieutenant: Port of Call New Orleans, it was described as a sequel to Abel Ferrara's 1992 cult favorite about a drug- and gambling-addicted police detective in New York City. When I next read about it, it was described as a remake. Now that I've seen it, I can report that it's neither.
Chicago Reader |
J.R. Jones |
11-23-2009 |
Reviews
How Exactly is Diablo Cody's Update of the Rape-Revenge Shocker 'Feminist'?new
In the earlier rape-revenge movies, patriarchy was an evil to be overcome. In Jennifer's Body, on the other hand, an opening voice-over tells us that "hell is a teenaged girl"—or more precisely, the friendships between teenage girls. Cody claims that's feminist, but I must confess, I don't see it.
Chicago Reader |
Noah Berlatsky |
09-28-2009 |
Reviews
