Sean Penn, With His Own Two Eyes
Paramount Vantage/MovieWeb.com
L.A. Weekly |
September 24, 2007
Tags: Into the Wild, Sean Penn
L.A. Weekly
With hard-hitting investigative stories, spirited criticism and provocative cultural coverage, L.A. Weekly has become the nation's most widely read alt-weekly — and an important voice in Los Angeles. The paper's writers have dominated the L.A. Press Club's Journalist of the...
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More by Joe Donnelly
What's Wrong With Wes Anderson?new
A decade after Rushmore and The Royal Tenenbaums, Generation Y's anointed auteur tries for a comeback with Fantastic Mr. Fox.
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11-20-2009 |
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Tags: Fantastic Mr. Fox, Wes Anderson
What We Talk About When We Talk About Socialismnew
There's something worth examining in the McCain campaign's desire to boil the archetypal Joe the Plumber and the prosecutorial Joe McCarthy up into a strange brew they hope will get an anxious electorate drunk enough to put the Arizona senator in the White House.
L.A. Weekly |
Joe Donnelly |
10-31-2008 |
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Lauren Weedman's Search for Homenew
Lauren Weedman's not a big star; she may be someday, or she may not, but when she's onstage I'd advise that you duck -- painful truths go whizzing by like bullets, send-ups rain down like bombs, and uncensored id explodes like shrapnel out of some internal minefield.
L.A. Weekly |
Joe Donnelly |
04-27-2007 |
Performance
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Why Is Kim Jong-un So Afraid of Seth Rogen?new
Sony assumed North Korea would hate the movie. The question was: What would it do?
L.A. Weekly |
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Who Killed the Romantic Comedy?new
Rom-coms used to be a cash cow — and wildly popular with audiences. What happened?
L.A. Weekly |
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David Lynch: The L.A. Weekly Interviewnew
"I'm not a musician, but I play music."
L.A. Weekly |
Gustavo Turner |
01-25-2011 |
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Tags: David Lynch
Dennis Hopper: Remembering an American dreamernew
Hopper's brief friendship with James Dean, his co-star and mentor on the sets of Rebel Without a Cause and Giant marked him for life; they shared a passion, which Dean was the first person in Hopper's world to fully articulate.
L.A. Weekly |
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Bruce Willis, Tracy Morgan and Movie Mockery in Kevin Smith's New Featurenew
The film's opening shot, set to the Beastie Boys' No Sleep 'Til Brooklyn, is a slow-motion, toe-to-head tilt-up of white cop-black cop buddies Jimmy (Bruce Willis) and Paul (Tracy Morgan) swaggering stone-faced toward the camera.
L.A. Weekly |
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02-26-2010 |
Reviews
