AltWeeklies Wire
Hollywood, We Have a Problem
The typical Hollywood release wasn’t simply mediocre this year; it was downright miserable. In the ongoing war between intelligent design and dumb and dumber writing, the latter is way ahead on points.
Boulder Weekly |
Thomas Delapa |
11-29-2005 |
Movies
Tags: Various Directors, Various Films
The Indeliblesnew
Movies to see at the Austin Film Festival include a flick about a mission to Montreal and another about a girl's criminal upbringing.
Austin Chronicle |
Marjorie Baumgarten, Nora Ankrum, Wells Dunbar, Marc Savlov, James Renovitch, Spencer Parsons, Josh Rosenblatt, Joe O'Connell, Mark Fagan and Shawn Badgley |
10-20-2005 |
Movies
Tags: Various Directors, Various Films, & Beers Runaway Severance The Special: The Story of an American Anthem Stomp! Shout! Scream! Walking the Line Azadi Boy-Next-Door The Braggart Holiday That Night, Backseat Bruce & Me Clear Cut: The Story of Philomath, Oregon Dirt Favela Rising Frozen Her Name Is Carla Life on the Ledge Muskrat Lovely The Outdoorsmen: Blood, Sweat
Festival Fatiguenew
L.A.’s avalanche of film fests has at least one critic peering into the future darkly -- and seriously considering an appointment with a seppuku blade.
Los Angeles CityBeat |
Andy Klein |
10-14-2005 |
Movies
TIFF Notesnew
Here's what a critic took away from the Toronto International Film Festival.
Austin Chronicle |
Marjorie Baumgarten |
09-23-2005 |
Movies
Tags: Various Directors, Various Films
What Stinks and What Rocks at Toronto Film Festivalnew
Director Cameron Crowe fast became the joke of the 30th Toronto International Film Festival while several unexpected indie gems and countless Asian sensations garnered praise.
Montreal Mirror |
Sarah Rowland |
09-16-2005 |
Movies
Popcorn Junkienew
You want Shakespeare? Go to the park, Einstein. Here are six multiplex picks to gloriously disengage your brain.
Seattle Weekly |
Steve Wiecking |
05-25-2005 |
Reviews
Tags: Various Directors, Various Films
Everything Cinematic Is Illuminatednew
Tucson Weekly reviewers look askew at the coming summer movie season.
Tucson Weekly |
James DiGiovanna and Zachary Woodruff |
05-12-2005 |
Movies
Tags: Various Directors, Various Films
Excess Hollywood: A Preview of Summer Filmsnew
The 130-something films lined up for this summer include ones starring comic-book heroes (Batman, the Fantastic Four) and big-screen redos (The Honeymooners, Charlie and the Chocolate Factory and War of the Worlds).
New Times Broward-Palm Beach |
Robert Wilonsky, Luke Y. Thompson and Bill Gallo |
05-11-2005 |
Movies
Tags: Various Directors, Various Films
Bio Picks: Oscar Gives its Nod to Lies and Livesnew
The Phoenix picks what movies will get Oscar nominations this year.
Boston Phoenix |
Peter Keough |
01-21-2005 |
Movies
The Passion of the Criticsnew
Two cinema reviewers look back at the films of 2004.
Tucson Weekly |
James DiGiovanna and Bob Grimm |
01-20-2005 |
Reviews
Bush II Could Inspire Another Indie Film Renaissancenew
As we enter George W. Bush's second term, the country's extreme rightward turn could ignite the type of movie renaissance not seen since eight years of nuclear proliferation, HIV discrimination, and materialist greed helped produce the American independent film movement of the late '80s and early '90s.
The Village Voice |
Anthony Kaufman |
01-13-2005 |
Movies
Stuntman Turns to Roach Wranglingnew
Most people try to get rid of roaches, but stuntman Alan Hutton welcomes them. The actor, stuntman, fight choreographer, pyrotechnician, historical adviser and weapons master has to be a jack-of-all-trades, and he's even wrangled roaches and delivered them to filmmakers.
Houston Press |
Michael Serazio |
01-03-2005 |
Movies
Two Top-10 Lists of Picture Perfect Filmsnew
Two L.A. Alternative Press critics agree that The Aviator, Eternal Sunshine of the Spotless Mind and Vera Drake are among the year's best films.
L.A. Alternative |
Jay Antani and Luisa F. Ribeiro |
12-28-2004 |
Reviews
Movies That Heated Up Cinemas in 2004new
Not one of the political documentariess distributed this year made a fraction of Fahrenheit 9/11's earnings, and deservedly so, because not one outraged, engaged or entertained the way Michael Moore's film did.
From Major to Minornew
Where once "independent film" meant a movie made outside the clutches of Hollywood, now it means simply a movie that resembles something done on the fringes. It's no longer a question of ownership, but of aesthetics.
