AltWeeklies Wire

Two Glimpses Into the Often Overlooked Musical Diversity of Durham, N.C.new

Two music scenes thrived under (most of) our noses in 2011 -- a vivid belly dance picture and accompanying Middle Eastern and Arab live music both sacred and secular, and a young, eclectic jazz scene that increasingly makes its digs in downtown Durham.
INDY Week  |  Sylvia Pfeiffenberger  |  12-15-2011  |  Music

Hall & Oates: Guilt, Pleasurenew

In a more reasonable world, no one would ever have to closet their love of Hall & Oates.
YES! Weekly  |  Ryan Snyder  |  12-14-2011  |  Reviews

Mic Checks and Protestnew

Exclusive interview with political activist and revolutionary hip hop artists Immortal Technique.
Eugene Weekly  |  Dante Zuñiga-West  |  12-09-2011  |  Profiles & Interviews

Pay As You Choose: Why the eclectic Beehive label mattersnew

Since its founding in 2007 by Steve Nawara, Beehive has digitally released a consistent — and consistently eclectic — selection of sounds, a bona fide representation of Detroit’s fertile music scene, from funk to noisy-electro, country and folk to space rock. And it’s all available for download on a pay-as-you-choose basis.
Metro Times  |  Chris Handyside  |  12-02-2011  |  Music

The Prince Vortexnew

Ever watch three hours of Prince videos straight? I did the other night, and I ended up locked within a vortex from which I could not escape.
The Coast, Halifax's Weekly  |  Alison Lang  |  11-29-2011  |  Music

The Only Solid Fact About Robert Johnson is his Music — Everything Else is up for Grabsnew

Robert Johnson might the be the most effective musician in history. He died at 27 and only had 29 known recordings (16 of them produced in San Antonio); his music wasn’t widely played during his lifetime, and few facts are known about his life.
San Antonio Current  |  Enrique Lopetegui  |  11-17-2011  |  Profiles & Interviews

Public Enemy’s Chuck D — Still Angry After 24 Yearsnew

Anytime I receive a second-rate demo by a third-rate rapper, my first reaction is to grab him by the throat and ask, “Have you heard about Mandela? Have you read Malcolm X? Have you ever listened to Public Enemy?”
San Antonio Current  |  Enrique Lopetegui  |  11-02-2011  |  Profiles & Interviews

Wandering Starsnew

Downtempo visionaries Portishead slip back into focus.
Colorado Springs Independent  |  Bill Forman  |  10-27-2011  |  Profiles & Interviews

Mickey Avalon Brings the Partynew

The party rapper with a shady past embarks on a California tour.
Chico News & Review  |  Meredith J. Graham  |  10-21-2011  |  Profiles & Interviews

The Fall and Rise of Machine Gun Kellynew

From sex to booze to homelessness ... and now salvation and stardom.
Cleveland Scene  |  Jordan Zirm  |  10-19-2011  |  Profiles & Interviews

The Dust Brothernew

Archivist Nathan Salsburg goes on the record about efforts to preserve a rare musical find.
LEO Weekly  |  Damien McPherson  |  10-19-2011  |  Music

Pimpadelic ... Seriouslynew

Like last night's Whataburger, Pimpadelic is back, though the band never really went away, only changed styles. Based on Drink! Drugs! Sex!, the Fort Worth quartet's 650th album, the style du jour is Motley Crue and Hank III.
Fort Worth Weekly  |  Anthony Mariani  |  10-17-2011  |  Reviews

Gastro Physicistsnew

A look at Das Racist's meteoric rise in the rap world.
Orlando Weekly  |  Philip Mlynar and Justin Strout  |  10-06-2011  |  Profiles & Interviews

Cursed Bloodnew

The long, strange trip of Richard Buckner’s Our Blood, including multiple setbacks, odd jobs record-destroying equipment failures and a bizarre encounter with rural New York police involving a headless corpse.
Columbia Free Times  |  Patrick Wall  |  10-05-2011  |  Profiles & Interviews

Phish Storynew

A fight on Shakedown Street leaves one man in stitches and another fearing for his family.
Westword  |  Dave Herrera  |  09-30-2011  |  Music

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