AltWeeklies Wire

Bernie Mac Seals His Career With a Laugh in 'Soul Men'

Bernie Mac's last film before his untimely death is a let-it-rip irreverent comedy invested with Bernie's trademark brand of earthy humor.
City Pulse  |  Cole Smithey  |  11-03-2008  |  Reviews

'Madagascar: Escape 2 Africa' Wastes Time on the Stuff Between Gags

Haven't we, as a nation, progressed to the point where it would be okay for our animated films simply to abandon the pretense of a plot?
Salt Lake City Weekly  |  Scott Renshaw  |  11-03-2008  |  Reviews

Charlie Kaufman Talks About His Polarizing 'Synecdoche'new

In person, Kaufman is the last person in the world one could consider polarizing -- frail, neurotic, honest, sweet, tortured and in need of a hug, yes, absolutely.
Dallas Observer  |  Robert Wilonsky  |  11-03-2008  |  Profiles & Interviews

The New Wild West: Talking with Guy Ritchienew

Timing, as you may have heard, is everything. While I would never imply that a married couple would get divorced simply to publicize a movie, it can't hurt the box office potential of Guy Ritchie's new RocknRolla to be mentioned in every one of the far too numerous tabloid stories about his recently announced breakup with his unimonikered wife.
Artvoice  |  M. Faust  |  11-03-2008  |  Profiles & Interviews

'Saw V': A Series of Torturesnew

Yet another damn Saw movie is crapping in theaters ... and bringing in lots of box-office cash.
Tucson Weekly  |  Bob Grimm  |  10-30-2008  |  Reviews

Why the Living Dead Will Never Die -- a Bit of Zombie Navel-Gazingnew

Zombie movies are everywhere. They surround us like a horde of reanimated corpses clawing at our boarded-up windows, and they just keep coming. Some of these films are brilliant (Shaun of the Dead) and some are awful (Zombie Cop), but fans of the genre are always willing to come back for more.
Fast Forward Weekly  |  John Tebbutt  |  10-30-2008  |  Movies

Wayne Coyne Loses the Plot, Keeps the Magic for 'Christmas'new

The Flaming Lips frontman is hitting the big screen as a true alien -- a man in green with deely-bopper horns on his head and shoulders -- in the movie he cooked up, co-directed, and co-stars in, Christmas on Mars.
SF Weekly  |  Jennifer Maerz  |  10-29-2008  |  Reviews

Kevin Smith Talks About his Most Adult Film Yetnew

Zack and Miri earned the dreaded NC-17, but Smith went through the appeals process and won his R rating. "I was a happy camper," he says. "Everything I wanted in the movie is in the movie." One of those things is a scene about what happens when an anal-sex scene ends very suddenly and very badly.
San Diego CityBeat  |  Anders Wright  |  10-29-2008  |  Profiles & Interviews

'Chocolate News' Gives Too Much of the African-American Funny Farm Awaynew

Chocolate News lacks the style, wit or subtlety of David Alan Grier's training ground, In Living Color. His transformations are amazing, but when he goes over the top, there's nothing to catch his fall.
Metro Times  |  Jim McFarlin  |  10-28-2008  |  TV

Kevin Smith's Arrested Adolescence Continues in 'Zack and Miri'

Smith's still funny when the muse strikes him, but it's just too awkward watching him try to build romantic comedy out of sentimentalizing old-school pornography.
Salt Lake City Weekly  |  Scott Renshaw  |  10-27-2008  |  Reviews

Edward Norton on 'Pride and Glory' and His Obama Documentarynew

From his debut in Primal Fear through roles like American History X, Fight Club, and even The Incredible Hulk, Norton has always been drawn to ambivalent characters. He agrees that it's a large part of what interested him in acting.
Artvoice  |  M. Faust  |  10-27-2008  |  Profiles & Interviews

Portland Designer Leanne Marshall on Winning 'Project Runway'new

Marshall talks about leaving Portland for New York, soundtracking her Bryant Park debut to a song called "Cookie Breath," and what was up with that hiphop walk.
The Portland Mercury  |  Marjorie Skinner  |  10-24-2008  |  TV

In 'Noah's Arc' Movie, We Meet the Black Carrie Bradshawnew

The LOGO show makes the jump to the big screen -- showing a completely different African-American experience.
New York Press  |  Armond White  |  10-23-2008  |  Reviews

'Saw' Killer Tobin Bell on Character-Acting and Torture Pornnew

Bell, who plays Jigsaw in the Saw movies, is a Hollywood "that guy" on par with the late J.T. Walsh and the comedic David Koechner -- one who now rivals the Freddy Kruegers and Jason Voorheeses of the world in terms of horror-icon status.
San Antonio Current  |  Clint Hale  |  10-22-2008  |  Profiles & Interviews

Eastwood Examines a Chapter of LA's Sordid Past in 'Changeling'

Apart from a flashing neon light coda that extends the film 10 minutes too far, Eastwood's drama is an engrossing drama with a keen line of social commentary.
City Pulse  |  Cole Smithey  |  10-20-2008  |  Reviews

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