AltWeeklies Wire

Mayer Hawthorne Thrives on Mix of Smokey Robinson, J Dilla and ELOnew

Hawthorne, whose favorite soul artists include Isaac Hayes and Leroy Hutson, spun records long before he started making them. So how did his soul inclinations fit into the rest of his deejay set?
Colorado Springs Independent  |  Bill Forman  |  04-01-2010  |  Profiles & Interviews

Pavement's Latest: 'Quarantine the Past'new

This is the year of Pavement, though they’ve been building up to it for the last several, reissuing expanded versions of their ground-breaking albums from the ’90s, which set the bar for a quirky, at times punk-angry yet always literate, version of indie rock.
Salt Lake City Weekly  |  Brian Staker  |  03-30-2010  |  Reviews

Darkred is Determined to Bring Shoegazer Psych Into the Modern Agenew

Decked in a dark blue tailored two-piece suit and sporting a bush of an Afro — he could've stepped straight out of Super Fly — the tall, svelte Rob Smith tugs anxiously at his goatee and talks of the events leading up to this night.
Metro Times  |  Kent Alexander  |  03-30-2010  |  Profiles & Interviews

Watch Leonard Cohen Transfix 600,000 Tired Hippiesnew

It’s four in the morning, at the end of August, 1970, and Leonard Cohen is taking the stage in front of 600,000 restless fans at the Isle of Wight Festival. There have been fires, clashes, riots and aggressive outbursts toward the musicians.
Hartford Advocate  |  John Adamian  |  03-26-2010  |  Music

South by Southwest's Loss was Fort Worth's Gainnew

This year's SXSW in Austin was the best in several years even though a lot of clubs were empty... because where Fort Worth bands were playing, plenty of folks showed up.
Fort Worth Weekly  |  Anthony Mariani  |  03-26-2010  |  Music

Righteously Energetic: Ted Leo's 'The Brutalist Bricks'new

The Brutalist Bricks is more of Ted Leo's signature brand of surging, thinking-man's punk rock, with soaring melodies to counterbalance the cranked amps and pummeling drums.
Tucson Weekly  |  Eric Swedlund  |  03-25-2010  |  Reviews

Breakthrough Record: Backyard Tire Fire's 'Good to Be'new

An all-too-common trap for Americana bands is to lay down an easy beat and dial in some twang. Backyard Tire Fire settles in miles away from that cookie-cutter approach, mixing barreling roadhouse rockers with lean, catchy, soulful tunes.
Tucson Weekly  |  Eric Swedlund  |  03-25-2010  |  Reviews

With Jack Clement's Help, Marley's Ghost Keeps Wolves at Baynew

When Marley's Ghost made its pilgrimage to Nashville last year to record with "Cowboy" Jack Clement, the band wasn't entirely sure what to expect.
Colorado Springs Independent  |  Bill Forman  |  03-25-2010  |  Profiles & Interviews

Attempting to Make Sense of SXSW, America's Premier Music Festivalnew

There are close to 2,000 registered bands at SXSW, although the impossible-to-determine unofficial number is probably twice that. If you perform, you will do so opposite hundreds of other bands from all over the world.
The Portland Mercury  |  Ezra Ace Caraeff  |  03-25-2010  |  Music

Black Eyed Peas Laugh All the Way to the Banknew

It may be hard to imagine it now, but there was a time when the Black Eyed Peas were primarily known for the serious, socially conscious side of its music. Early albums gave the group a reputation for being socially aware.
Colorado Springs Independent  |  Alan Sculley  |  03-23-2010  |  Concerts

Though Purely Anarchic, a North Texas Art Collective has Unifying Qualitiesnew

Most acts at Wasted Words craft their cacophony through nontraditional means, often with electronics. Performers heavily alter equipment, warping or degrading pre-recorded material — such as political speeches, clanking machinery, and movie clips — or making bizarre, entirely new instruments.
Fort Worth Weekly  |  Cole Garner Hill  |  03-22-2010  |  Profiles & Interviews

Owing a Debt to Minnie Pearlnew

In truth, Sunday night’s Columbus Blues Festival is a whole lot more than blues. With Bobby “Blue” Bland headlining and supported by Clarence Carter, Bobby Rush, Lenny Williams and Floyd Taylor, you’re going to hear a lot of variations on a theme.
The Other Paper  |  John Petric  |  03-19-2010  |  Profiles & Interviews

The Runaways’ Cherie Currie Gave Up Rock ‘n’ Roll to Swing Around a Chainsawnew

Cherie Currie was just a Bowie-obsessed 15-year-old smoking a cigarette at the Sugar Shack, an under-21 club in North Hollywood, when she was spotted by producer Kim Fowley. A Svengali, visionary and predator, he was cruising the underage clubs.
New York Press  |  Sheila McClear  |  03-18-2010  |  Music

The Tradition of Essential Music That's as Mechanized as it is Carnalnew

I hate electronic music that's devoid of any humanity; the best electronica reframes human experience in a compelling way. Think Tricky's derelict spacecraft love ballads on 1995's Maxinquaye.
Tucson Weekly  |  Sean Bottai  |  03-17-2010  |  Reviews

Through Sixteen Years Quasi Has Endurednew

We could all learn a lesson in staying power from Portland band Quasi. When Sam Coomes and Janet Weiss formed the band 16 years ago, they were married. They aren't anymore, and haven't been for years. Coomes and Weiss have both been members of other, better-known bands that have long since broken up.
Tucson Weekly  |  Annie Holub  |  03-17-2010  |  Profiles & Interviews

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