AltWeeklies Wire
Michael Moore Sells the Same Old Shtick in 'Capitalism'new
I wish that more of the contradictions of late capitalism had made it into this scattershot, lazy slice of agitprop, which recycles Moore's usual slice-and-dice job on corporations, while bobbing a curtsey to the current crisis.
L.A. Weekly |
Ella Taylor |
09-24-2009 |
Reviews
'The Informant!' Cleverly Treats Whistleblower Story Like a Comedynew
Leave it to Steven Soderbergh and Matt Damon to find the wicked humor in something that resulted in the largest antitrust fine in U.S. history at the time, and a lot of bilked international consumers.
Tucson Weekly |
Bob Grimm |
09-23-2009 |
Reviews
Jimmy Page Charms in 'It Might Get Loud'new
While The Edge hates and Jack White poses, Page just revels in music. His face continually lights up as he spins old discs; his 64-year-old body slides into recurring boogie mode; and he shakes and grooves with his guitar like he was still the lean young man in Led Zeppelin.
Tucson Weekly |
James DiGiovanna |
09-23-2009 |
Reviews
Jane Campion Creates Period Poetry With 'Bright Star'new
Sure, this one could be considered a chick flick. It's set in the early 1800s in England, after all. But it's made by Campion, who's best known for The Piano, so it's real label should actually be "art-house." Regardless, you don't need to be a chick or an art-house geek to enjoy Abbie Cornish's performance.
San Diego CityBeat |
Anders Wright |
09-23-2009 |
Reviews
'Bright Star' is the Tasteful Older Sibling of 'Twilight'new
The film is likely to be fairly admired by English professors and Oscar voters, but mark my words: It is going to become the unequaled favorite movie of homeschoolers in the girls' dormitories of evangelical colleges nationwide.
Willamette Week |
Aaron Mesh |
09-23-2009 |
Reviews
Tags: Bright Star, Jane Campion
'The Burning Plain' is an Interminably Spiritless Ordealnew
Beneath the film's tragic poses and ludicrous melancholy, one can almost hear Arriaga muttering to himself: "Do I have anything here? Let's maybe move this scene here, that one there, yeah, that'll do it, that looks like something. Right? Right?" Wrong.
Willamette Week |
Chris Stamm |
09-23-2009 |
Reviews
Hollywood Product: '9'new
With so many computer-animated cartoon features devoted to pop-savvy kiddie comedies about talking animals, it's refreshing to see a CGI adventure with a unique vision. Acker's makeshift, Rube Goldberg-style inventions and landscapes can be fascinating. That said, 9 is PG-13 for a reason, and may be too intense for little kids and too dark for many adults.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Reviews
'Yoo-Hoo, Mrs. Goldberg' Gushes Over First Lady of Televisionnew
Documentary pays tribute to Gertrude Berg, a pioneering Jewish writer and actress at the dawn of television.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Reviews
'World's Greatest Dad' and 'Big Fan' Offer Winning Portraits of Losersnew
Robin Williams and Patton Oswalt engage with darkly comic portraits of quiet desperation.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Movies
'It Might Get Loud' Climbs Stairway to Guitar Heavennew
An Inconvenient Truth director Davis Guggenheim presents a summit of three generations of rock guitarists.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Reviews
Hollywood Product: 'Jennifer's Body'new
While most mainstream horror films barely have a single idea, Cody's script for Jennifer's Body goes off in too many thematic directions, including high school spoof, female-phobic shlock and feminist empowerment fantasy.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Reviews
'Art & Copy' Misses its Own Pointnew
Doug Pray attempts to sell advertising to audiences in his latest film.
Creative Loafing (Atlanta) |
Edward Adams |
09-22-2009 |
Reviews
Hollywood Product: 'Cloudy With a Chance of Meatballs'new
Neither the character development nor the "human" animation prove appetizing. Otherwise, the film serves a fresh concept and eye-popping visuals, topped with some tasty one-liners and sight gags. Consider it an amuse bouche compared to one of Pixar's CGI main courses.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Reviews
Matt Damon's 'Informant!' Turns the Whistleblower Genre Inside Outnew
Steven Soderbergh offers a satiric docudrama about a corporate stool pigeon.
Creative Loafing (Atlanta) |
Curt Holman |
09-22-2009 |
Reviews
Blaxploitation-Inspired French Action Flick 'Black' is Rife With Weirdnessnew
Turning thumbs up or down on this movie would be a complete waste of time. Why? Because your opinion will change every five minutes (which is, perhaps, more than enough reason to justify its existence).
The Georgia Straight |
Mark Harris |
09-22-2009 |
Reviews
