AltWeeklies Wire

You'll Probably Feel Like You've Seen Brothers Before, Even if You Haven'tnew

Ask me about Brothers 2009 four years from now and you'll probably have to press this very review into my hands as proof that it passed before my eyes.
Las Vegas Weekly  |  Mike D'Angelo  |  12-04-2009  |  Reviews

The Princess and the Frog Doesn't Bring Changenew

Hyped as offering the Walt Disney corporation's first African-American animated heroine, The Princess and the Frog actually refrains from expanding our social imagination.
New York Press  |  Armond White  |  12-04-2009  |  Reviews

The House of the Devil Brings Back the Beelzebubnew

While he never actually appears in director Ti West's retro screamer The House of the Devil, Satan's little helpers make a welcome return to the screen, bringing their funky rituals and pentagrams along.
Willamette Week  |  AP Kryza  |  12-04-2009  |  Reviews

Buhl, Idaho: A Provincial Productionnew

Boise Weekly spends a day filming with Oscar-nominated producer Heather Rae on the set of her new film Buhl, Idaho.
Boise Weekly  |  Jeremiah Wierenga  |  12-03-2009  |  Profiles & Interviews

Fantastic Mr. Fox: Coop Coupnew

Wes Anderson conquers animation with the charming Fantastic Mr. Fox.
Tucson Weekly  |  Bob Grimm  |  12-02-2009  |  Reviews

Humans are Evilnew

Antichrist might be worth hating, but the film is nonetheless incredibly compelling.
Tucson Weekly  |  James DiGiovanna  |  12-02-2009  |  Reviews

The Blind Side Fumblesnew

The Blind Side is an insult to the real-life character at its center.
Tucson Weekly  |  Bob Grimm  |  12-02-2009  |  Reviews

In New Moon, It's Abs vs. Eyebrowsnew

New Moon is better than the first Twilight film, but it's still too sullen.
Tucson Weekly  |  Bob Grimm  |  12-02-2009  |  Reviews

Passion and Power Explores Pleasure Technew

The vibrator's colorful, controversial history gets documented in Passion and Power.
Tucson Weekly  |  Erica Nannini  |  12-02-2009  |  Profiles & Interviews

John Woo's Extravagant Historical Epic, Red Cliffnew

Red Cliff represents not only Woo's first Chinese film (meaning mainland and Mandarin-speaking), but also his first full-blown foray into historical epics. It turns out to be a mode of storytelling that suits him perfectly.
INDY Week  |  David Fellerath  |  12-02-2009  |  Reviews

Everybody's Fine, but What About Bob?

Everybody’s Fine, but America’s once-greatest actor ain’t what he used to be.
Salt Lake City Weekly  |  Scott Renshaw  |  12-01-2009  |  Reviews

Unemployment Gets a Lift in 'Up in the Air'

George Clooney's intentionally ambiguous character Ryan Bingham is a poster boy for America's lack of ethical direction in this thought-provoking satire about America's unemployment epidemic.
City Pulse  |  Cole Smithey  |  11-30-2009  |  Reviews

Do Government Subsidies for Film Production Create a 'Race to the Bottom'?new

Especially now, when so many traditional jobs have been lost, "everybody wants to be Hollywood east," Cornell University professor Susan Christopherson says. It's "sexy meets desperation." More than 40 states are actively vying for movie production business, upping the ante on subsidies in what she calls a "race to the bottom."
Chicago Reader  |  Deanna Isaacs  |  11-30-2009  |  Movies

'Ninja Assassin' is a Hard-R Blood-Fest with Much CG and Many Severed Limbsnew

Having braved zombies in 28 Days Later, Naomie Harris now faces a centuries-old clan of ninjas who have been hiring themselves out, Blackwater-style, as government mercenaries. Sad to say, the undead were more fun.
Seattle Weekly  |  Brian Miller  |  11-30-2009  |  Reviews

'Frog' of the South: Disney's Song and Dance About a Black Princess Croaksnew

Six decades after unleashing persistent NAACP bugaboo Song of the South, and two after firmly suppressing it, that peculiar cultural institution known as the Walt Disney Company has made a symbolic reparation by creating its first African-American princess -- and plunking her down in the middle of Jim Crow–era Louisiana!
L.A. Weekly  |  Scott Foundas  |  11-30-2009  |  Reviews

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