AltWeeklies Wire

Ghosts in the Machinenew

With Goodbye Dragon Inn, Taiwanese director Tsai Ming-liang has made his great film about film.
Boston Phoenix  |  Chris Fujiwara  |  10-28-2004  |  Reviews

Forward: Alexander Payne Takes a Step in the Right Directionnew

The alternately rollicking and mournful road comedy about the terrors of settling into middle age takes place during a vacation taken by two men, pals since college, in California wine country. Accompanying the review is an interview with director Alexander Payne.
Boston Phoenix  |  Steve Vineberg  |  10-28-2004  |  Reviews

From TV to Stage: Claire Danes at the Toronto Film Festivalnew

TV-trained Claire Danes tackled formidable thespian challenges when she was cast as a 17th century Englishwoman who breaks a sexual barrier.
Boston Phoenix  |  Gerald Peary  |  10-22-2004  |  Profiles & Interviews

Sex Change: Stage Beauty Isn't Just Skin Deepnew

Richard Eyre's Stage Beauty lives up to its terrific subject: the moment in theatrical history where women were finally permitted to act on the professional stage.
Boston Phoenix  |  Steve Vineberg  |  10-22-2004  |  Reviews

Murphy’s Lawnew

Jack Tanner is back, with Robert Altman and Doonesbury’s Garry Trudeau following up on their 1988 cable mini-series. Tanner on Tanner 2004 is dominated by the exploits of the liberal Congressman's now-30ish daughter Alex, a radical indie filmmaker.
Boston Phoenix  |  Gerald Peary  |  10-19-2004  |  TV

Strung Outnew

Team America gets tangled in its own lines.
Boston Phoenix  |  Peter Keough  |  10-18-2004  |  Reviews

After the Think Mannew

Russell is a filmmaker drawn more to chaos than to unity. His Heart is a head case.
Boston Phoenix  |  Peter Keough  |  10-08-2004  |  Reviews

Naked Lunchnew

In an interview, director John Waters outlines a powerful case for the end of repression and the restoration of genuine fun, laughter and bad taste.
Boston Phoenix  |  Peter Keough  |  09-24-2004  |  Profiles & Interviews

Waters Sportsnew

It’s a dirty shame that John Waters hasn’t made a truly offensive movie in more than 20 years. One can only hope that the NC-17 rated A Dirty Shame will change that.
Boston Phoenix  |  Peter Keough  |  09-24-2004  |  Reviews

Silver Citynew

Silver City looks as if it might be another Lone Star, one of Sayles’s best movies, and instead turns out more like City of Hope, one of his worst.
Boston Phoenix  |  Peter Keough  |  09-22-2004  |  Reviews

Freeze-framenew

Ten years after Roxbury, Massachusetts, filmmaker Robert Patton-Spruill directed his critically acclaimed film Squeeze, he’s finally back behind the camera. Will it be worth the wait? Does it even matter?
Boston Phoenix  |  Camille Dodero  |  09-09-2004  |  Profiles & Interviews

Echoing Disasternew

Never at any time in The Brown Bunny does Vincent Gallo give the impression of being outside the world of the film: in The Brown Bunny, artist and world are one.
Boston Phoenix  |  Chris Fujiwara  |  09-02-2004  |  Reviews

An Interview with Vincent Gallonew

Vincent Gallo loves to talk, as followers of his career as musician, painter, actor, and director will have gathered.
Boston Phoenix  |  Chris Fujiwara  |  09-02-2004  |  Profiles & Interviews

The Great Race: A Q&A with Filmmaker Bill Haneynew

In his new documentary, Boston filmmaker Bill Haney profiles five women, ages 50 to 82, who defy age in masters’ track-and-field competitions worldwide.
Boston Phoenix  |  Tamara Wieder  |  08-26-2004  |  Profiles & Interviews

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