AltWeeklies Wire

Damaged Goods: Antoine Fuqua Does His Due Diligence

Director Antoine Fuqua returns to the gritty cop drama genre that made him a household name in 2001 with "Training Day."
City Pulse  |  Cole Smithey  |  03-01-2010  |  Reviews

'Fish Tank' Deserves Awards it's Winningnew

In the very first few minutes Mia is on the screen in Fish Tank, a frank and powerful glimpse of a dead-end British teenage life, she's screaming on the phone to a friend, head-butts another girl because she doesn't like the way she's dancing, and gets into a tussle with her mom.
Boulder Weekly  |  Cary Darling  |  03-01-2010  |  Reviews

Bruce Willis, Tracy Morgan and Movie Mockery in Kevin Smith's New Featurenew

The film's opening shot, set to the Beastie Boys' No Sleep 'Til Brooklyn, is a slow-motion, toe-to-head tilt-up of white cop-black cop buddies Jimmy (Bruce Willis) and Paul (Tracy Morgan) swaggering stone-faced toward the camera.
L.A. Weekly  |  Karina Longworth  |  02-26-2010  |  Reviews

Whose Turn is It Now? The 2010 Oscar Race

You can practically already hear Academy Award producers shouting, after the fact, "Whose idea was this?" about changes in the ceremony that are doomed to be criticized for months after the last statue is handed out.
City Pulse  |  Cole Smithey  |  02-25-2010  |  Movies

Landmark Film is an Answer to the Age of Snarknew

Dealing with Davy Mitchell’s rush to maturity makes Easier With Practice more than a story about a young man obsessed with a phone-sex relationship. Davy’s dilemma captures a classic emotional uncertainty many people know but that most movies avoid. It features a true shock of recognition.
New York Press  |  Armond White  |  02-25-2010  |  Reviews

Crazy Good: 'Shutter Island' is a Creepy Masterpiecenew

Martin Scorsese manages to keep the audience off-balance for the entire experience, while Leonardo DiCaprio blasts the roof off the place with a gut-wrenching performance. Neither of them misses a beat, and the film will captivate those of you willing to be floored.
Tucson Weekly  |  Bob Grimm  |  02-24-2010  |  Reviews

'The White Ribbon' is Impressive but Not Necessarily Enjoyablenew

The film The White Ribbon follows the recollections of a schoolteacher (played by Christian Friedel as a young man, and Ernst Jacobi in voiceover narration) who looks back some 50 years to a time just before World War I, when he worked in the small German village of Eichwald.
Tucson Weekly  |  James DiGiovanna  |  02-24-2010  |  Reviews

'Visual Acoustics': If a Tree Falls in the Forest, Will Someone Make a Documentary About It?new

Julius Shulman was the world's greatest architecture photographer (he died shortly after the film's release). During his long career, he captured the iconic buildings of Frank Lloyd Wright and Richard Neutra with his eye for the emblematic.
Dig Boston  |  David Day  |  02-24-2010  |  Reviews

'Celine: Through the Eyes of the World' is an Insult on Many Levels

Presented as a "performance" rather than a documentary of her 2008-2009 "Taking Chances" world tour, Celine: Through the Eyes of the World is an insult to your intelligence on many levels.
City Pulse  |  Cole Smithey  |  02-22-2010  |  Reviews

Martin Scorsese's Throwback Head Trip is the Good Kind of Insanenew

Martin Scorsese's Shutter Island, a florid art shocker that Paramount welcomed into the world with the strained enthusiasm of a mutant baby's parents, begins with U.S. Marshal Teddy Daniels (Leonardo DiCaprio) seasick, head in the toilet.
L.A. Weekly  |  Nick Pinkerton  |  02-19-2010  |  Reviews

Portrait of an American Family, Stuck, From One Halloween to the Nextnew

October Country follows four generations of the Mosher family from one October 31 to the next, and, in between days of the dead, the spooks linger. Halloween itself is a Mosher obsession, a leveler across generations.
L.A. Weekly  |  Karina Longworth  |  02-19-2010  |  Reviews

Bad Doggy: 'The Wolfman' Doesn't Quite Succeednew

After some monumental struggles — including director replacements and many postponements — The Wolfman is finally in theaters, and those problems are evident in the finished product. It doesn't quite succeed, depsite a great effort from Benicio del Toro.
Tucson Weekly  |  Bob Grimm  |  02-17-2010  |  Reviews

'The Last Station' an Amusing, Breast-Filled Romantic Comedynew

It's as though modern breasts are sleazy and exploitive, but period breasts enlighten our moral conscience. Strangely, audiences that get picky about the historical accuracy of sets and costumes never complain about an anachronistic bosom.
Tucson Weekly  |  James DiGiovanna  |  02-17-2010  |  Reviews

The Pennsylvania Documentary 'GasLand' Drills for Answersnew

A Pennsylvania filmmaker's documentary about the perils of urban gas drilling, GasLand includes interviews with people from all over the country and recently earned the filmmaker the Special Jury Prize for documentaries at the Sundance Film Festival.
Fort Worth Weekly  |  Dan McGraw  |  02-17-2010  |  Profiles & Interviews

Invisible Ink: Polanski's Political Thriller Evaporates

It's a big deal when Martin Scorsese and Roman Polanski both release mystery thrillers in the same week. Coincidentally, Shutter Island and The Ghost Writer are mutually set on islands and both begin with the arrival of a boat coming directly into the frame.
City Pulse  |  Cole Smithey  |  02-15-2010  |  Reviews

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