AltWeeklies Wire

Family Ties Trump Tough Times for Barry Corbin, a Vagabond at Restnew

Actor Barry Corbin spent years in New York and Los Angeles during his well-traveled life. In 1990, however, he got a call that brought him to North Texas, where he’s put down some of the deepest roots he’s ever planted.
Fort Worth Weekly  |  Jeff Prince  |  03-19-2010  |  Profiles & Interviews

On the Strange Symbiosis Between Publicists and Film Criticsnew

Greenberg, the big-budget mumblecore movie by Noah Baumbach, should enter the language as Woody Allen’s Zelig did — a title that goes beyond ethnic specificity to stand for a particular social disorder: the tendency toward vanity, suppression and censorship.
New York Press  |  Armond White  |  03-18-2010  |  Movies

'Alice in Wonderland' is Not So Wondrousnew

Tim Burton is heavy on visuals but light on story with Alice in Wonderland.
Tucson Weekly  |  Bob Grimm  |  03-17-2010  |  Reviews

For This Werner Herzog Film, the Title Says It Allnew

Werner Herzog uses an amateurish script and bizarre acting to create a film that makes it seem like he lost a bet.
Tucson Weekly  |  James DiGiovanna  |  03-17-2010  |  Reviews

Forest Whitaker Stinks Up This Unfunny, Unoriginal Wedding Movienew

Every so often in a bad movie, there's one good scene just dying to get out. Clearly, it's the aberration, because there's nothing else to recommend the film—but for a fleeting moment, everything just goes right.
Tucson Weekly  |  Colin Boyd  |  03-17-2010  |  Reviews

Lacking Intelligence: Even the Ever-Cool Matt Damon Can't Salvage Thisnew

It's admirable when a director tries to go beyond just blowing things up in a war movie (as Kathryn Bigelow did successfully with The Hurt Locker) — but good intentions are never enough. Witness the thrown-together optical assault that is Green Zone.
Tucson Weekly  |  Bob Grimm  |  03-17-2010  |  Reviews

'Sweetgrass' is a Raw, Open-Eyed Elegy for the American Cowboynew

Lucien Castaing-Taylor and Ilisa Barbash, the husband-and-wife filmmaking team behind Sweetgrass, apparently prefer the term “recordist” over the term “director.” Once you see the documentary, you might be inclined to agree.
Weekly Alibi  |  Devin D. O'Leary  |  03-16-2010  |  Reviews

Tim Burton-Johnny Depp Combo Comes in Colors and Whimsy, but Lacks Tensionnew

Tim Burton's Alice in Wonderland is everything you hoped it would be. Plants with human faces, checkerboard landscapes, forced perspective, day-glo colors and macabre pranks abound in his recasting of Lewis Carroll's classic as a warped tale of Victorian-age feminist empowerment.
Metro Times  |  Jeff Meyers  |  03-16-2010  |  Reviews

Chaos Contained: Review of 'Green Zone'new

As long as you don't enter Paul Greengrass' Green Zone expecting Bourne 4 or a totally accurate history lesson, you should emerge sufficiently entertained and possibly even enlightened with regard to the real reasons behind America's involvement in the Iraq war.
Colorado Springs Independent  |  Jeff Sneider  |  03-16-2010  |  Reviews

Swedish Exploitation Mystery: Stieg Larsson Gets Posthumously More Famous

The first film adaptation of the late Swedish novelist Stieg Larsson's posthumously published "Millennium Trilogy," "The Girl With the Dragon Tattoo" is an enigmatic mystery thriller fired by the growling intensity of its goth-girl heroine Lisbeth Salander (ferociously played by Noomi Rapace).
City Pulse  |  Cole Smithey  |  03-15-2010  |  Reviews

Hello Daddy, Hello Mom: Girl Rock Band Comes Alive, Again

Based on Cherrie Currie's poorly written memoir "Neon Angel: The Cherrie Currie Story," about her crash-and-burn experiences with producer Kim Fowley's manufactured all-girl rock band, "The Runaways" is a textbook guilty pleasure.
City Pulse  |  Hello Daddy, Hello Mom: Girl Rock Band Comes Alive, Again  |  03-15-2010  |  Reviews

'Prodigal Sons,' a Documentary by Writer-Director Kimberly Reednew

Even if this riveting documentary holds back some key information for as long as it can, no review of Prodigal Sons can avoid the central thrust of writer-director Kimberly Reed’s multiple returns to her hometown of Helena, Montana.
The Georgia Straight  |  Ken Eisner  |  03-15-2010  |  Reviews

You Liked Them, You Really Liked Them: The Alternative Academy Awardsnew

Sure, the Academy of Motion Picture Arts and Sciences has a long and venerable tradition of rewarding the film community’s artistic accomplishments. But here at the Mirror, we’ve got an institution of our own, “honouring” the best.
Montreal Mirror  |  Jeffrey Malecki and Mark Slutsky  |  03-12-2010  |  Movies

'The White Ribbon,' Reviewednew

Michael Haneke is a creator of puzzles who doesn’t believe solutions are particularly important. In such critically acclaimed films as The Piano Teacher, the director has left us to choose from a menu of resolutions.
Seven Days  |  Rick Kisonak  |  03-12-2010  |  Reviews

Zoe Kazan, an Indie Starlet on the Verge of Fame, Doesn't Need More 'Friends'new

Zoe Kazan is contemplating suicide. No, not in real life, where she’s doing just fine, thank you very much. But she’s had it with that dubious realm of interactivity known as Facebook. So it may be time for online suicide.
New York Press  |  Eric Kohn  |  03-11-2010  |  Profiles & Interviews

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