AltWeeklies Wire

Think Table Talk Pienew

City Paper talks Apple, Ashton Kutcher, and the tiny pie with Jobs folk.
Baltimore City Paper  |  Joe MacLeod  |  08-26-2013  |  Profiles & Interviews

MacGrubernew

Another movie from a Saturday Night Live sketch, this time set free from the constraints of Network Television and the usual PG-13 rating of Guaranteed Comedy Safety and Mediocrity.
Baltimore City Paper  |  Joe MacLeod  |  05-21-2010  |  Reviews

Jameel Saleem's Debut Feature Follows a Guy's Romantic Misadventuresnew

What makes Cream Soda work is how vulnerable his male characters are willing to be. When talking about his love life, he admits that some things were funny then, and some were only funny in hindsight.
Baltimore City Paper  |  Bret McCabe  |  03-23-2010  |  Reviews

Novelist Michael Kimball Pieces Together a New Kind of Narrative in '60 Writers/60 Places'new

On one hand, 60 Writers is little more than a series of vignettes featuring authors reading an excerpt of their works in some setting, shot with a static single-camera set up. On the other hand, it is a single-viewing experience composed of 60 completely different elements.
Baltimore City Paper  |  Bret McCabe  |  02-09-2010  |  Reviews

Matthew Porterfield Talks About His Latest Projectnew

The second feature by filmmaker Matthew Porterfield is almost finished, though not the one you may have heard about. Putty Hill is making its world premiere at the Berlinale's International Forum for New Cinema in early February.
Baltimore City Paper  |  Bret McCabe  |  02-02-2010  |  Profiles & Interviews

Sumptuous Period Picture is the Best Romantic Comedy of the Seasonnew

The Young Victoria delivers something woefully few movies have lately: a believable and engrossing love story. It chronicles the early life of Queen Victoria (Emily Blunt) from her sheltered childhood to the early years of her reign, which began when she was 18.
Baltimore City Paper  |  Anna Ditkoff  |  12-29-2009  |  Reviews

Director Joe Berlinger Talks About 'Crude,' His New Documentarynew

"I wasn't necessarily sure there was a film. It was more like a humanitarian impulse, basically. So I'm as surprised as anyone that the film’s had the life that it’s had. Although, once I got deep into it, obviously I thought there was a feature-length film."
Baltimore City Paper  |  Joe Tropea  |  11-17-2009  |  Profiles & Interviews

Graham Reznick Ventures into the Genre Woods and Twists Out the Unique 'I Can See You'new

I Can See You takes its characters out to the woods for the scare of their lives, but it isn't overly concerned with subtext. Reznick draws on the non-narrative avant-garde for inspiration; ultimately, his movie has as much in common with David Lynch's weirdest moments or Stan Brakhage as The Blair Witch Project.
Baltimore City Paper  |  Steve Erickson  |  11-03-2009  |  Reviews

'Cold Souls' is a Delightfully Coy, if Featherweight, Comedynew

Writer/director Sophie Barthes' debut feature is a philosophical meditation hiding behind a science-fiction premise and all wrapped up in a intelligently nutty comedy of manners.
Baltimore City Paper  |  Bret McCabe  |  09-08-2009  |  Reviews

'Adam' is Pretty Schmaltzynew

The movie's trajectory is more that of a made-for-TV special than a feature, and its subplot concerning Beth's fraudulent father is completely extraneous.
Baltimore City Paper  |  Jeff Niesel  |  08-25-2009  |  Reviews

Guys Wide Shut: 'Humpday' Calls Bromance's Bluffnew

Lynn Shelton's winning indie comedy is about two thirtysomething men contemplating taking their friendship to the alternative lifestyle edge to win an amateur porn competition, and what is revealed as they go under the microscope ... err, video camera.
Baltimore City Paper  |  Bret McCabe  |  08-04-2009  |  Reviews

Robert Kenner Talks Cloned Meats, Big Agribusiness and 'Food, Inc.'new

Kenner is no stranger to controversial subjects. He won an Emmy for his 2005 "Two Days in October," which examined the domestic response to the Vietnam War during the turbulent fall of 1967. Kenner runs into a even more volatile subject with his new documentary, Food, Inc., an investigate peek into America's big agribusinesses and meat and poultry industries.
Baltimore City Paper  |  Bret McCabe  |  07-07-2009  |  Profiles & Interviews

The New 'Pelham': Just Another Mindless Tony Scott Productnew

Like almost every single one of Scott's movies since 1998's Enemy of the State, though, Pelham's inevitable critical drubbing probably won't stop it from making pretty good money.
Baltimore City Paper  |  Bret McCabe  |  06-16-2009  |  Reviews

The Filmmaking Robinson Brothers Debut Their First Feature, 'China White'new

While Jonathan, now 28, and Rick, now 24, had always loved watching movies and even fooled around with video cameras, the idea of becoming professional filmmakers seemed too daunting for two guys who grew up in East Baltimore. But here they are, prepping for the world premiere of their debut feature.
Baltimore City Paper  |  Lee Gardner  |  06-16-2009  |  Profiles & Interviews

Jim Jarmusch's Latest Strips Narrative Cinema Down to Minimalist Allegorynew

The Limits of Control has proven to be extremely divisive, but the negative reactions testify to the shock that innovative cinema can produce.
Baltimore City Paper  |  Steve Erickson  |  06-02-2009  |  Reviews

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