AltWeeklies Wire

Sitting Down with La Porte's Buxtonnew

One of the things I like about Buxton is that they both shoot for grandeur and better yet, attain it.
Houston Press  |  John Nova Lomax  |  04-15-2008  |  Profiles & Interviews

Megadeth: The Rock that Never Diesnew

By the time Megadeth bassist James Lomenzo joined the band's lineup in 2006, he'd built a 30-year career of rock with artists like David Lee Roth and bands like White Lion and Black Label Society.
Weekly Alibi  |  Simon McCormack  |  04-15-2008  |  Profiles & Interviews

Dillinger Escape Plan Really Needs Thisnew

It's become common with Dillinger Escape Plan to discuss how much adversity the band has encountered and how it's been able to soldier through many hard times.
Colorado Springs Independent  |  Alan Sculley  |  04-15-2008  |  Profiles & Interviews

We the Kings Enjoys Adulation, Free Breadsticksnew

When We the Kings first hit the road as high schoolers, they played free shows, for anywhere from five minutes to an hour at a time, at the mercy of bar managers or headlining acts.
Colorado Springs Independent  |  Scott Lieber  |  04-15-2008  |  Profiles & Interviews

Papertrigger Bravely Blends Rock and Showmanshipnew

The heady blend of circus carousing and rock energy of the Philly band got its start in Syracuse, where its five members grew up and studied music together. Sporadically, usually during semester breaks from college, they'd get together and play for kicks.
Philadelphia City Paper  |  John Vettese  |  04-15-2008  |  Profiles & Interviews

'Slowcore' Legends American Music Club Play the Warholnew

AMC is back with a second album for Merge, The Golden Age, for which Eitzel and longtime guitarist Vudi recruited Sean Hoffman on bass and Steve Didelot on drums.
Pittsburgh City Paper  |  Aaron Jentzen  |  04-14-2008  |  Profiles & Interviews

Chiodos Makes It Majesticnew

Chiodos knew exactly what it was after on Bone Palace Ballet, a record that proves My Chemical Romance and Panic at the Disco aren't the only post-emo upstarts obsessed with classic-rock kings Queen.
The Georgia Straight  |  Mike Usinger  |  04-14-2008  |  Profiles & Interviews

Protest the Hero Demands Our Full Attentionnew

With Fortress, that path found Protest the Hero taking steps to ensure it wasn't ghettoized as a Canuck version of American concept-album kings Coheed and Cambria.
The Georgia Straight  |  Mike Usinger  |  04-14-2008  |  Profiles & Interviews

Laurie Anderson: Queen of Quirknew

The pop-tech performance queen's subversive stories speak truth to power.
Isthmus  |  Susan Kepecs  |  04-14-2008  |  Profiles & Interviews

For Philly's Jazz Scene, the Beat Goes Onnew

Pride, defiance and apologetics are close to the surface when one talks about jazz in Philadelphia, an underdog music in an underdog town.
Philadelphia Weekly  |  David Adler  |  04-14-2008  |  Profiles & Interviews

Blitzen Trapper Keeps It Shortnew

Brevity is a strong suit for the frontman of this Portland band.
Westword  |  Michael Roberts  |  04-14-2008  |  Profiles & Interviews

Ra Ra Riot Steps Ahead of the Suddenly String-Heavy Indie Rock Packnew

Despite frequent comparisons, Ra Ra Riot really couldn't sound more different from Arcade Fire.
Dallas Observer  |  Pete Freedman  |  04-14-2008  |  Profiles & Interviews

Ghost Bees Performs Strange, Spirited & Often Spooky Folknew

The band, led by twins Romy and Sari Lightman, is inspired by family ancestry. "Even as kids we always had this fascination with death and the supernatural," says Sari.
The Coast, Halifax's Weekly  |  Sean Flinn  |  04-14-2008  |  Profiles & Interviews

A New Roommatenew

Kent Lambert's one-man tech-pop project has been transformed by his time in Chicago.
Chicago Reader  |  Miles Raymer  |  04-14-2008  |  Profiles & Interviews

The Curious Career of Kimya Dawsonnew

From Moldy Peaches to Juno to Sesame Street.
Shepherd Express  |  Angelina Krahn  |  04-11-2008  |  Profiles & Interviews

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