AltWeeklies Wire
David Lynch: The L.A. Weekly Interviewnew
"I'm not a musician, but I play music."
L.A. Weekly |
Gustavo Turner |
01-25-2011 |
Profiles & Interviews
Tags: David Lynch
Dennis Hopper: Remembering an American dreamernew
Hopper's brief friendship with James Dean, his co-star and mentor on the sets of Rebel Without a Cause and Giant marked him for life; they shared a passion, which Dean was the first person in Hopper's world to fully articulate.
L.A. Weekly |
F.x. Feeney |
06-07-2010 |
Profiles & Interviews
Tags: Dennis Hopper
'Daddy Long Legs': The Pleasures of Being Kidnappednew
Filmmaker brothers Benny and Josh Safdie have invited me to meet them here and afterwards discuss their second feature, Daddy Long Legs, which had its U.S. premiere at the Sundance Film Festival. (It appeared simultaneously on nationwide cable VOD.)
L.A. Weekly |
Karina Longworth |
02-05-2010 |
Profiles & Interviews
Sautéed Chicken Breasts Over Fascism, From the Director of 'The White Ribbon'new
Dogmatic ideologies — religious, political and social — are central to Michael Haneke’s latest film, The White Ribbon, which unfolds in a rural German village during the year preceding the start of World War I.
L.A. Weekly |
Scott Foundas |
01-08-2010 |
Profiles & Interviews
Tags: The White Ribbon, Michael Haneke
Filmmakers of the Decade: Steven Soderberghnew
Though Erin Brockovich and Traffic were taken seriously as works of social consciousness upon their release, watching them today, it’s impossible to ignore their tendencies toward Hollywood hallmarks such as subtext-free monologuing and suspiciously convenient justice.
L.A. Weekly |
Karina LongworthLONGWORTH |
01-04-2010 |
Profiles & Interviews
Will Actor and Country Has-been Jeff Bridges Finally Snag the Elusive Oscar?new
Jeff Bridges is a physical presence who leads with his body in a way that often obscures the intelligence he lends his characters — a gallery of American manhood in all its compromised, destroyed or hopeful ambiguity.
L.A. Weekly |
Ella Taylor |
12-11-2009 |
Profiles & Interviews
Eastwood on the Pitch: At 79, Clint tackles Mandela in 'Invictus'new
It’s the 24th day of filming on Clint Eastwood’s Invictus, the 30th film he has directed in a career that now spans more than a half-century — and, as usual on an Eastwood set, if you didn’t know they were shooting a major Hollywood movie here, you’d be none the wiser.
L.A. Weekly |
Scott Foundas |
12-11-2009 |
Profiles & Interviews
What's Wrong With Wes Anderson?new
A decade after Rushmore and The Royal Tenenbaums, Generation Y's anointed auteur tries for a comeback with Fantastic Mr. Fox.
L.A. Weekly |
Joe Donnelly |
11-20-2009 |
Profiles & Interviews
Tags: Fantastic Mr. Fox, Wes Anderson
Audrey Tautou Flexes Her Acting Muscles as Fashion Icon Coco Chanelnew
Her new movie, Coco Before Chanel, is an elegant little black dress of a movie, simple but complex. At the center is Tautou as young Gabrielle Chanel, before the revolutionary menswear-inspired haute couture, before the fully articulated philosophy of pared down, practical luxury.
L.A. Weekly |
Gendy Alimurung |
09-25-2009 |
Profiles & Interviews
Chris Fuller on His Microbudget 'Loren Cass'new
An autodidact whose words tumble out in a slurry stream, Fuller carries himself with such intense conviction that, when he tells you Loren Cass is a project he's been working toward his entire life, you believe him.
L.A. Weekly |
Scott Foundas |
09-11-2009 |
Profiles & Interviews
Tags: Chris Fuller, Loren Cass
'Inglourious Basterds' Brings Late-Career Glory to Christoph Waltznew
It's a familiar part of the Tarantino mythos -- the director plucks a faded star from the brink of obscurity and restores him or her to their former glory. Only, unlike John Travolta, Pam Grier and others before him, Waltz was never that kind of star in the first place.
L.A. Weekly |
Scott Foundas |
08-21-2009 |
Profiles & Interviews
Quentin Tarantino Serves Up Hitler's Head in 'Inglourious Basterds'new
Inglourious Basterds has next to nothing to do with Jews, Nazis or World War II, though Winston Churchill has a funny cameo and Joseph Goebbels a minor, if crucial, role as a twisted auteur of nationalist cinema. It's a highly entertaining, graphically bloody and woozily romantic romp.
L.A. Weekly |
Ella Taylor |
08-21-2009 |
Profiles & Interviews
Guitar Heroes Talk Axes, Licks and Other Euphemisms in 'It Might Get Loud'new
This compelling documentary explores the inspirations, techniques and creative processes of three of the music world's best-known living axmen, each chosen to represent different generations and sonic approaches.
L.A. Weekly |
Lina Lecaro |
08-14-2009 |
Profiles & Interviews
Battered But Not Broken, Jean-Jacques Beineix Returnsnew
The embattled Parisian director brings a reissue, a retrospective and a project in progress.
L.A. Weekly |
Scott Foundas |
07-10-2009 |
Profiles & Interviews
Tags: Jean-Jacques Beineix, drama films
Woody Allen on Life, Actors, Younger Women and His 40th Filmnew
Allen's Whatever Works marks the realization of a project he first conceived in the 1970s as a vehicle for Zero Mostel, then set aside following the actor's untimely death. The result is a light comic burlesque -- a minor key but eminently pleasurable Allen confection
L.A. Weekly |
Scott Foundas |
06-12-2009 |
Profiles & Interviews
