Audrey Tautou Flexes Her Acting Muscles as Fashion Icon Coco Chanel
L.A. Weekly |
September 25, 2009
L.A. Weekly
With hard-hitting investigative stories, spirited criticism and provocative cultural coverage, L.A. Weekly has become the nation's most widely read alt-weekly — and an important voice in Los Angeles. The paper's writers have dominated the L.A. Press Club's Journalist of the...
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More by Gendy Alimurung
The Death of 35mm Filmnew
Movie studios are forcing Hollywood to abandon 35mm film. But the consequences of going digital are vast, and troubling.
L.A. Weekly |
Gendy Alimurung |
04-13-2012 |
Features
Anne Rice: Interview with the Vampire Killernew
Anne Rice will never write about vampires again. Not even with these tragically hip, newfangled bloodsuckers lurking about, dating high school girls and coming out of the closet, demanding equal rights. She has told enough vampire stories to last her an eternity.
L.A. Weekly |
Gendy Alimurung |
12-28-2009 |
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Crossing Over: When a Calligrapher Meets a Graffiti Artistnew
One afternoon, Lisa Engelbrecht invited Jose Martinez and his crew to her house, on the east side of Long Beach. They spray-painted a fence in her backyard. When two street artists collaborate, she saw, they don’t speak. They just paint, in a kind of dance.
L.A. Weekly |
Gendy Alimurung |
12-18-2009 |
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Sony assumed North Korea would hate the movie. The question was: What would it do?
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Who Killed the Romantic Comedy?new
Rom-coms used to be a cash cow — and wildly popular with audiences. What happened?
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David Lynch: The L.A. Weekly Interviewnew
"I'm not a musician, but I play music."
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Dennis Hopper: Remembering an American dreamernew
Hopper's brief friendship with James Dean, his co-star and mentor on the sets of Rebel Without a Cause and Giant marked him for life; they shared a passion, which Dean was the first person in Hopper's world to fully articulate.
L.A. Weekly |
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Bruce Willis, Tracy Morgan and Movie Mockery in Kevin Smith's New Featurenew
The film's opening shot, set to the Beastie Boys' No Sleep 'Til Brooklyn, is a slow-motion, toe-to-head tilt-up of white cop-black cop buddies Jimmy (Bruce Willis) and Paul (Tracy Morgan) swaggering stone-faced toward the camera.
L.A. Weekly |
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Reviews
