AltWeeklies Wire

Film Chronicles Quiet Desperation and Cutenessnew

Me and You and Everyone We Know's most original feature is probably the way it subverts the lovelorn, hangdog heroes of films like Punch Drunk Love, Garden State and Sideways.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  07-22-2005  |  Reviews

A Pimp Seeks Redemptionnew

Writer/director Craig Brewer offers a harsh, credible portrayal of low-level Memphis criminality and reveals the importance hip-hop can play in "the Life."
Creative Loafing (Atlanta)  |  Curt Holman  |  07-22-2005  |  Reviews

Sweet Repeatnew

Charlie and the Chocolate Factory is Tim Burton’s most enjoyable (and strangest) film in years; it not only stands as a testament to his talents, but it may even be superior to the classic 1971 adaptation Willy Wonka and the Chocolate Factory.
Jackson Free Press  |  Paul Dearing  |  07-21-2005  |  Reviews

Candied Cinemanew

Tim Burton returns to greatness -- and Johnny Depp remains there -- with Chocolate Factory.
Tucson Weekly  |  Bob Grimm  |  07-21-2005  |  Reviews

From Pimp to Rapnew

Hustle and Flow has a lot going against it, but its star and director push it to success.
Tucson Weekly  |  James DiGiovanna  |  07-21-2005  |  Reviews

Zupan on Impactnew

Twelve years after adjusting to life in a wheelchair, Mark Zupan adjusts to life in the limelight with his new movie about his sport, Murderball.
Austin Chronicle  |  Shawn Badgley  |  07-21-2005  |  Profiles & Interviews

Pimpin' Ain't Easynew

Forget trying to knock the hustle, because you can't. And please resist the Rocky comparisons, because it's not. More like Purple Rain, this humid film about the blood-work of a ghetto pimp's comeuppance could use a little drizzle.
Pittsburgh City Paper  |  Brentin Mock  |  07-21-2005  |  Reviews

Freedom Rocknew

San Francisco filmmaker Liz Nord uncovers Israel's burgeoning punk scene.
San Francisco Bay Guardian  |  Cheryl Eddy  |  07-20-2005  |  Reviews

Rob Zombie's Second Flick Is Uncharacteristically Sicknew

Rob Zombie delves into the horror genre again, inspired by 1970's low-budget horror movies, but this time with less camp and more psychologically disturbing violence.
Dig Boston  |  Amy Roeder  |  07-20-2005  |  Reviews

The Break Fist Club

The spirit of John Hughes energizes the hero high school romp Sky High.
Salt Lake City Weekly  |  Scott Renshaw  |  07-20-2005  |  Reviews

A Perfect Film If The Matrix Didn't Have Enough Car Chases for Younew

Ewan McGregor and Scarlet Johansson fight against dystopian death squads, almost collapsing underneath the weight of Michael Bay's boring ambitions.
Dig Boston  |  Chris Braiotta  |  07-20-2005  |  Movies

A Boy-Man Love Storynew

Fauntleroy's pro-gay DNA is well-established in this 1936 film.
Riverfront Times  |  Mike Seely  |  07-20-2005  |  Reviews

Happy Surprisenew

With a surprising ensemble and lively characters, Happy Endings is what happens when an eternal optimist makes movies about misanthropes who desperately want to love and to be loved.
East Bay Express  |  Robert Wilonsky  |  07-18-2005  |  Reviews

Free At Lastnew

Generous in spirit and fearlessly observant, The Beautiful Country deserves a place of honor among the great movies portraying emigrant tenacity.
East Bay Express  |  Bill Gallo  |  07-18-2005  |  Reviews

Always a Bridesmaidnew

Vince Vaughn -- the role model for every guy who ever dreamed of living in his parents' basement till he was 35 -- is Wedding Crashers' skirt-chasing master of ceremonies.
Dallas Observer  |  Robert Wilonsky  |  07-18-2005  |  Reviews

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