AltWeeklies Wire

Silent Bob Speaksnew

Kevin Smith discusses his future on the heels of a new Mallrats DVD release.
Tucson Weekly  |  Bob Grimm  |  09-29-2005  |  Profiles & Interviews

Poor Planningnew

Jodie Foster's return to the big screen doesn't get off the ground.
Tucson Weekly  |  Bob Grimm  |  09-29-2005  |  Reviews

Timeless Classicnew

A History of Violence deserves all the praise it can get.
Tucson Weekly  |  James DiGiovanna  |  09-29-2005  |  Reviews

Escapist Velocity

Buffy creator Joss Whedon graduates from the small screen to the silver screen with Sci-Fi/western Serenity, and proves there's no such thing as bad genres, just bad genre films.
Columbus Alive  |  J. Caleb Mozzocco  |  09-29-2005  |  Reviews

American History Icks

David Cronenberg takes the "graphic" part of this graphic novel adaptation deadly serious, creating an incredible challenge of our acceptance of violence and sex as entertaining spectacle.
Columbus Alive  |  Melissa Starker  |  09-29-2005  |  Reviews

Who is That Masked Woman?new

MirrorMask's dream world looks like the last place you'd want to visit and never conveys a sense of its rules or makes a firm connection to the real world.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-29-2005  |  Reviews

Sci-Fi Nail-Biternew

Serenity remains a four-star experience for anyone familiar with "Firefly," and the sheer novelty of seeing a space opera with smart dialogue and credible characters will leave audiences floating on air.
Creative Loafing (Atlanta)  |  Curt Holman  |  09-29-2005  |  Reviews

The Plight of Childrennew

Roman Polanski offers a flawed but harrowing, empathetic view of the world seen through the eyes of its most powerless and invisible citizens. Oliver Twist's salvation comes at a great cost.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-29-2005  |  Reviews

Viggo Mortensen is Compromised Hero in Cronenberg Thrillernew

A History of Violence, as its title implies, is a profound examination of a world divided into "good" and "bad," where we reflexively cheer on the "right" kind of violence and recoil at the "wrong" kind.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  09-29-2005  |  Reviews

Adapted Sisters

In Her Shoes winds up both better and worse than its chick-lit source.
Salt Lake City Weekly  |  Scott Renshaw  |  09-28-2005  |  Reviews

Empire of the Funnew

Family and faith form the core of Joss Whedon's relentlessly entertaining space opera Serenity.
Baltimore City Paper  |  Ian Grey  |  09-28-2005  |  Reviews

Something Missingnew

This film about a young man's search for the woman who saved his grandfather from the Nazis certainly has strengths, including gorgeous art direction and clever humor, but its essence is empty.
SF Weekly  |  Melissa Levine  |  09-27-2005  |  Reviews

Crash Landingnew

A film starring Jodie Foster as a mother who's either lost her daughter or her mind during a flight from Berlin to New York soars for an hour, then ends with a tailspin.
The Pitch  |  Robert Wilonsky  |  09-27-2005  |  Reviews

The Opposite of Sucknew

Mike Mills' debut film is original, electrifying, and humane, presenting complex and memorable people in whom we recognize ourselves.
East Bay Express  |  Melissa Levine  |  09-26-2005  |  Reviews

Jerry's Kidsnew

Would network TV survive without Bruckheimer?
Boston Phoenix  |  Joyce Millman  |  09-23-2005  |  TV

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