AltWeeklies Wire

Keep It Like A Secretnew

New Bloods unearth roots, but hold the marrow sacred.
Willamette Week  |  Anika Sabin  |  04-02-2008  |  Profiles & Interviews

A Guidance Counselor Like No Othernew

Ian Anderson catches dreams and makes 'em danceworthy.
Willamette Week  |  Nilina Mason-Campbel  |  04-02-2008  |  Profiles & Interviews

Autechre: Listening Deeply to Future's Pastnew

With this month's release of Quaristice, the Manchester electro pioneers have proven once again why they remain the most vital experimental force of the Warp generation.
San Francisco Bay Guardian  |  Erik Morse  |  04-02-2008  |  Profiles & Interviews

Just Keep Walkennew

Multiple maniacs won't deter these metal vets.
San Francisco Bay Guardian  |  Duncan Scott Davidson  |  04-02-2008  |  Profiles & Interviews

Metal Mania: The Return of the Kingsnew

Bay Area thrash is on the comeback as Exodus and Testament rouse new fans with new recordings.
San Francisco Bay Guardian  |  Ben Richardson  |  04-02-2008  |  Music

Nada Surf Reminds Itself to be Happynew

Matthew Caws speaks quietly at a measured pace, not unlike how he sings one of his ballads. A tender tone persists just this side of protected laziness -- he puts you at ease, even if he isn't.
Chicago Newcity  |  Tom Lynch  |  04-02-2008  |  Profiles & Interviews

No Country for the Old Men of Bon Jovinew

After Lost Highway came out, many fans began referring to it as the group's country record. Guitarist Richie Sambora maintains that's a misnomer.
Colorado Springs Independent  |  Alan Sculley  |  04-01-2008  |  Profiles & Interviews

When I Turn 21new

Even Jagermeister reps give Black Tide hassle for being young.
Colorado Springs Independent  |  Scott Lieber  |  04-01-2008  |  Profiles & Interviews

No Betta Ettanew

Beyonce sang "Survivor," but she'd have a tough time personifying Ms. James.
Colorado Springs Independent  |  Terry Terrones  |  04-01-2008  |  Profiles & Interviews

David Brewis Goes for Baroque with School of Languagenew

More raw and rocky than Field Music, School of Language's melodies are sweet, but more distorted, with jagged guitar riffs dashing across blatty bass and crashing, compressed-sounding drums.
The Pitch  |  Jason Harper  |  04-01-2008  |  Profiles & Interviews

Roky Erickson Howls Onnew

Erickson's recent rising to the occasion of Austin City Limits -- first festival, then TV show -- and this month's Austin Music Awards isn't the Texas psych icon's first comeback.
Houston Press  |  Chris Gray  |  04-01-2008  |  Reviews

763 MP3s and Nothing Onnew

Paul Ford heard more SXSW acts than anyone else, without leaving New York.
Houston Press  |  John Nova Lomax  |  04-01-2008  |  Music

Houston's Matt Clark Strums for New Orleans' Glen David Andrewsnew

How a white kid from upper-crust Houston found his calling in New Orleans in funky joints like the Candlelight Lounge, a landmark bar in New Orleans's fabled jazz nexus, the Tremé neighborhood.
Houston Press  |  John Nova Lomax  |  04-01-2008  |  Profiles & Interviews

Dru Hill Announces New Membernew

A few weeks after the we-re-back-now-we're-not radio debacle, the group held a live audition at local nightclub Suite to pick a fourth member to fill Woody's spot and move on with the comeback as planned.
Baltimore City Paper  |  Al Shipley  |  04-01-2008  |  Music

Dusting off Dusty Springfieldnew

From Lesley Gore to Amy Winehouse, female singers wanting to open the throttle on romantic need and desire have inevitably borrowed more than a little from Springfield -- especially if they were white women who loved black R&B.
Baltimore City Paper  |  Geoffrey Himes  |  04-01-2008  |  Profiles & Interviews

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