AltWeeklies Wire

Women's Lib in the Form of a Jewel Heistnew

It's gotta mean something, right? In only the first few months of 2008 we've seen more than two movies about daring robberies pulled off by little people who feel, perhaps justifiably so, that they've been cheated by life while other fat lucky bastards have made out at their expense.
Charleston City Paper  |  MaryAnn Johanson  |  04-02-2008  |  Reviews

Anything is Possible for Sol Driven Trainnew

Charleston's unorthodox Sol Driven Train dedicate themselves to an unusually healthy and consistent do-it-yourself work ethic -- on the stage and in the studio.
Charleston City Paper  |  T. Ballard Lesemann  |  04-02-2008  |  Profiles & Interviews

'Married Life' Gets Dark Laughsnew

It always pains me to use the word tandem "chamber drama," but there you have it.
San Antonio Current  |  Ashley Lindstrom  |  04-02-2008  |  Reviews

CineMujer Puts Women's Real Issues on the Big Screennew

In addition to showcasing more feature films (though fewer total films than last year), a major change in programming has been the division of the festival into two weekends rather than fill an entire week.
San Antonio Current  |  Ashley Lindstrom  |  04-02-2008  |  Profiles & Interviews

Will a Critics' Dearth Hurt Hard Films?new

What if a movie like Stop-Loss falls in the forest and there are no crickets there to chirp its praises?
Chicago Newcity  |  Ray Pride  |  04-02-2008  |  Movies

Courting Dangernew

Aristocrats play complicated mating games in The Duchess of Langeais.
Philadelphia City Paper  |  Sam Adams  |  04-01-2008  |  Reviews

'Flawless' Isn'tnew

It's a pity that even escapist genre fiction stoops to having a message these days.
Baltimore City Paper  |  Bret McCabe  |  04-01-2008  |  Reviews

Living Through Thisnew

Andre Techine's latest takes an intimate look at a different generation of survivors.
Baltimore City Paper  |  John Barry  |  04-01-2008  |  Reviews

Bi Sci-Finew

BBC's gleefully bonkers Torchwood returns born-again queer hard for its second season.
Baltimore City Paper  |  Ian Grey  |  04-01-2008  |  TV

Back Door Draftnew

Nearly a decade after Boys Don't Cry, writer/director Kimberly Peirce returns with another disquietly American story.
Baltimore City Paper  |  Cole Hadden  |  04-01-2008  |  Profiles & Interviews

Jerry Springer Stumps for Hillarynew

How he shills for Clinton between tranny midgets and onstage brawls.
Metro Times  |  Jim McFarlin  |  04-01-2008  |  TV

Empathy for the Stones

Martin Scorsese returns to the rock 'n' roll concert documentary genre that he helped develop in 1978 with The Last Waltz, to capture an energized performance by The Rolling Stones at New York's Beacon Theater in the fall of 2006.
Maui Time  |  Cole Smithey  |  03-31-2008  |  Reviews

Blues Travelers

Martin Scorsese's Shine a Light manages to find a new angle on the Rolling Stones in concert.
Salt Lake City Weekly  |  Scott Renshaw  |  03-31-2008  |  Reviews

'Stop-Loss': Well-Meaning, but Battles Itselfnew

Lord knows, even at its worst, Stop-Loss remains light years more accomplished than the hand-wringing speeches we've been subjected to recently.
The Memphis Flyer  |  Sean Burns  |  03-31-2008  |  Reviews

Scorsese Shines a Light on the Stones

On a cold Sunday at Manhattan's Palace Hotel, Martin Scorsese, Mick Jagger, Keith Richards, Ronnie Wood, and Charlie Watts joined a throng of anxious journalists so we could pepper them with questions. Needless to say, Marty and the Stones looked marvelous, laughed a lot, and cracked wise to everyone's delight.
Maui Time  |  Cole Smithey  |  03-31-2008  |  Profiles & Interviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range