AltWeeklies Wire

Jason Segel Bares it All in 'Forgetting Sarah Marshall'

"There aren't too many women out there who love a small penis," he says. "You're basically being judged on one issue alone. So it was terrifying."
NUVO  |  Marc D. Allan  |  04-11-2008  |  Profiles & Interviews

'Leatherheads' is Clooney's First Failure as a Directornew

The earnest but dull Leatherheads is a good-looking but boring fictional film about the rise of professional football in the 1920s, and everybody looks lost in it.
Tucson Weekly  |  Bob Grimm  |  04-10-2008  |  Reviews

Ellen Page's Wisecracks Almost Salvage 'Smart People'new

I've always wanted to make a movie called Exposition! in which the characters just come on and tell their backstory for 90 minutes, and then everyone hugs. But Noam Murro beat me to the grand aesthetic punch.
Tucson Weekly  |  James DiGiovanna  |  04-10-2008  |  Reviews

'Young@Heart' Offers More Than a Feel-good Music Documentarynew

A sentimental sing-along? More like in-your-face shock waves, the force of the film actually comes from the contrast between these 70- to 90-year-olds and their musical fare: rock and punk tunes.
New York Press  |  Marsha McCreadie  |  04-10-2008  |  Reviews

Meryl Streep's Brillance May Go Unnoticednew

Long after her highly praised, highly artificial performances in the 1980s (and her by-default Oscar-nominated parts in the 1990s), she has recently entered her most interesting phase as an actress.
New York Press  |  Armond White  |  04-10-2008  |  Reviews

Solid Acting Helps 'Smart People'new

The cast is understated in painting a portrait of an unhappy, too-clever family in suburban Pittsburgh, writer/director Noam Murro hits several choice moments of sweet, sharp, and melancholy humor.
The Portland Mercury  |  Erik Henriksen  |  04-10-2008  |  Reviews

Let's Fieldtrip to David Ayer's Los Angelesnew

Think Miami Vice minus the self-conscious cool, or The Departed minus the smarts, and you'll have a pretty good idea what to expect from Street Kings.
The Portland Mercury  |  Erik Henriksen  |  04-10-2008  |  Reviews

In Defense of Keanu Reevesnew

Think about it: Everyone makes fun of you, but everyone has also seen everything you've ever been in.
The Portland Mercury  |  Erik Henriksen  |  04-10-2008  |  Profiles & Interviews

Assy McGee is the Butt of the Jokenew

Clambake Animation has created one of the more unique characters ever to waddle across a television screen -- a walking, talking pair of heinie cheeks named Assy McGee.
Boston Phoenix  |  Mike Miliard  |  04-10-2008  |  TV

'Shine a Light': He's with the Bandnew

Scorsese makes beautiful music with the Stones.
Creative Loafing (Charlotte)  |  Lynn Farris  |  04-09-2008  |  Reviews

'Battlestar Galactica' Goes for the Godnew

As the series gears up for its conclusion, it's becoming more contemplative, agonizing over how there can be faith without tests of that faith, and thus how real prophets can exist without fake ones -- how humans, tortured beasts that we are, can have certainty in anything without uncertainty about most everything else.
San Antonio Current  |  Luke Baumgarten  |  04-09-2008  |  TV

30th-annual CineFestival Spotlights Latino Filmmakersnew

CineFestival will highlight cinematic work from across the globe including the countries of Chile, Bolivia, and Mexico. What co-director Victor Payan is most excited about, however, is the number of U.S. Latinos who will screen their films this year.
San Antonio Current  |  Kiko Martinez  |  04-09-2008  |  Movies

'Smart People' Shows Not All Dysfunctional Clans Are Funnew

There are no tremendous epiphanies in Smart People. The characters do make changes in small, incremental ways, and that feels real.
San Diego CityBeat  |  Anders Wright  |  04-09-2008  |  Reviews

Mark David Chapman Falls Victim to Character Assassinationnew

J.P. Schaefer's direction is ultimately a prime example of how cinema has been degraded since the glory days of Scorsese.
Willamette Week  |  Aaron Mesh  |  04-09-2008  |  Reviews

Matt Mccormick's Bright Futurenew

Portland's next great director was out on the road somewhere between here and Las Vegas, doing what he does best -- filming clouds and abandoned motor lodges -- when he realized he was alone.
Willamette Week  |  Aaron Mesh  |  04-09-2008  |  Profiles & Interviews

Narrow Search

Category

Narrow by Date

  • Last 7 Days
  • Last 30 Days
  • Select a Date Range