AltWeeklies Wire

Sugar and Spicenew

Miss Potter plays the cute card early and often.
Creative Loafing (Atlanta)  |  Felicia Feaster  |  01-04-2007  |  Reviews

V For Violencenew

From Al Basrah to the AMC, film in 2006 meant war.
The Village Voice  |  J. Hoberman  |  01-04-2007  |  Movies

Iraq's Cinema of Longingnew

A conversation with director James Longley.
The Village Voice  |  Rob Nelson  |  01-04-2007  |  Profiles & Interviews

Three Dicks In A Boxnew

The network for women and gay men hits an all-time low with Gay, Straight or Taken?
Willamette Week  |  Byron Beck  |  01-04-2007  |  TV

England Dreamingnew

Cuaron's future days move and muddle in equal measure.
Baltimore City Paper  |  Lee Gardner  |  01-03-2007  |  Reviews

Splice Worldnew

Film program takes a considered look at an often overlooked film technique: the edit.
Baltimore City Paper  |  Violet Glaze  |  01-03-2007  |  Movies

Eau de WTFnew

Perfume doesn't stink so much as it just kinda smells disturbingly weird, like when you visit the house of that friend nobody else wants to hang out with.
Dig Boston  |  David Wildman  |  01-03-2007  |  Reviews

A Look Aheadnew

2006 has gone the way of the K-Fed; time for a peek at what's to come (including the Oscars) from still-rubbing-its-eyes 2007.
San Antonio Current  |  Cole Haddon  |  01-03-2007  |  Movies

Potter's Fieldnew

Miss Potter becomes a writer.
Chicago Newcity  |  Ray Pride  |  01-03-2007  |  Reviews

Losing Score

A potentially intriguing film gets drowned in musical melodrama in Notes on a Scandal.
Salt Lake City Weekly  |  Scott Renshaw  |  01-02-2007  |  Reviews

Lost Boynew

Besson's children's story is derivative and uninspired.
Los Angeles CityBeat  |  Andy Klein  |  01-02-2007  |  Reviews

Next Year's Modelnew

Have we already seen the dawn and dusk of the DVD?
INDY Week  |  Neil Morris  |  01-02-2007  |  Movies

Skip the Movie, Wait for the Lawsuitnew

Factory Girl fudges the Warhol legend.
L.A. Weekly  |  David Ehrenstein  |  01-02-2007  |  Reviews

Delightfully Accuratenew

For a movie about rock 'n' roll, this 2005 Japanese film-festival darling makes rebellion as demure as the tidy black bows on the schoolgirl uniforms of Kei and her insta-bandmates.
Seattle Weekly  |  Rachel Shimp  |  01-02-2007  |  Reviews

The Patriotnew

One of the most delightfully paranoid films in years, The Good Shepherd bears the unofficial tagline "trust no one," an apt directive for a movie that's drenched in the theory and practice of intelligence.
Eugene Weekly  |  Jason Blair  |  12-29-2006  |  Reviews

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